La musique comme analyseur : mutations de la filière musicale et mutation de la recherche sur la musique
The first cultural industry to suffer from a lack of preparation for “digital revolutions” (e.g. the success of streaming and the MP3 standard), the music industry experienced one of the most important in a long series of crises at the turn of the 21st century. The last twenty years have been charac...
Main Authors: | , |
---|---|
Format: | Article |
Language: | fra |
Published: |
Association de Recherche en Technologies de l’Information et de la Communication
2020-11-01
|
Series: | Tic & Société |
Subjects: | |
Online Access: | http://journals.openedition.org/ticetsociete/4666 |
Summary: | The first cultural industry to suffer from a lack of preparation for “digital revolutions” (e.g. the success of streaming and the MP3 standard), the music industry experienced one of the most important in a long series of crises at the turn of the 21st century. The last twenty years have been characterized by major technical and socio-economic experiments, as well as an abundant literature on economic perspectives and transformations in the social uses of music. This article offers a critical perspective on these mutations. |
---|---|
ISSN: | 1961-9510 |