Mediated Windows: The Use of Framing and Transparency in Designing for Presence

This paper explores the fusion of architecture and media technology that facilitates collaborative practices across spatial extensions: video-mediated spaces. The example presented is a mediated extension of the Museum of National Antiquities in Stockholm to a neighbouring park area and archaeologi...

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Bibliographic Details
Main Author: Charlie Gullström
Format: Article
Language:English
Published: Jap Sam Books 2010-01-01
Series:Footprint
Online Access:https://ojs-libaccp.tudelft.nl/index.php/footprint/article/view/720
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spelling doaj-96da3198c8b14a22bc7d6acd93988c882021-02-08T12:07:37ZengJap Sam BooksFootprint1875-15041875-14902010-01-014110.7480/footprint.4.1.720746Mediated Windows: The Use of Framing and Transparency in Designing for PresenceCharlie Gullström This paper explores the fusion of architecture and media technology that facilitates collaborative practices across spatial extensions: video-mediated spaces. The example presented is a mediated extension of the Museum of National Antiquities in Stockholm to a neighbouring park area and archaeological excavation site in 2008, referred to as a mediated window, or a glass-door. The concepts framing and transparency are used to outline the significance of windows and glazing in architecture and art. The author then considers the potential contribution of architecture in representing the passage from indoors to outdoors and designing for presence. Presence design assumes a contribution from architects to presence research, a currently diversified field, spanning media-space research, cognitive science, interaction design, ubiquitous computing, second-order cybernetics, and computer-supported collaborative work, but in which architecture and artistic practices are less represented. The paper thereby addresses the potential of an extended architectural practice, which incorporates the design of mediated spaces, and outlines presence design as a transdisciplinary practice in which presence research meets architectural design, and spatial and aesthetic conceptual tools, derived from related visual practices, may be productively applied. https://ojs-libaccp.tudelft.nl/index.php/footprint/article/view/720
collection DOAJ
language English
format Article
sources DOAJ
author Charlie Gullström
spellingShingle Charlie Gullström
Mediated Windows: The Use of Framing and Transparency in Designing for Presence
Footprint
author_facet Charlie Gullström
author_sort Charlie Gullström
title Mediated Windows: The Use of Framing and Transparency in Designing for Presence
title_short Mediated Windows: The Use of Framing and Transparency in Designing for Presence
title_full Mediated Windows: The Use of Framing and Transparency in Designing for Presence
title_fullStr Mediated Windows: The Use of Framing and Transparency in Designing for Presence
title_full_unstemmed Mediated Windows: The Use of Framing and Transparency in Designing for Presence
title_sort mediated windows: the use of framing and transparency in designing for presence
publisher Jap Sam Books
series Footprint
issn 1875-1504
1875-1490
publishDate 2010-01-01
description This paper explores the fusion of architecture and media technology that facilitates collaborative practices across spatial extensions: video-mediated spaces. The example presented is a mediated extension of the Museum of National Antiquities in Stockholm to a neighbouring park area and archaeological excavation site in 2008, referred to as a mediated window, or a glass-door. The concepts framing and transparency are used to outline the significance of windows and glazing in architecture and art. The author then considers the potential contribution of architecture in representing the passage from indoors to outdoors and designing for presence. Presence design assumes a contribution from architects to presence research, a currently diversified field, spanning media-space research, cognitive science, interaction design, ubiquitous computing, second-order cybernetics, and computer-supported collaborative work, but in which architecture and artistic practices are less represented. The paper thereby addresses the potential of an extended architectural practice, which incorporates the design of mediated spaces, and outlines presence design as a transdisciplinary practice in which presence research meets architectural design, and spatial and aesthetic conceptual tools, derived from related visual practices, may be productively applied.
url https://ojs-libaccp.tudelft.nl/index.php/footprint/article/view/720
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