Cinematic Intertextuality and the Aesthetics of Ambiguity from Antonioni to Aldridge
In order to interpret the work of British photographer Miles Aldridge and gain insight into the semiotic ambiguity of his photographs, this paper relies on the capacity to decipher the photographs’ relationship to other arts such as Italian cinema and in particular, to the work of Italian film direc...
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| Format: | Article |
| Language: | English |
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Firenze University Press
2018-11-01
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| Series: | Aisthesis |
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| Online Access: | https://oajournals.fupress.net/index.php/aisthesis/article/view/968 |