Les oratorios bibliques de Haendel ou « ll faut l’entendre pour le croire »
This article contends that, having being denied the possibility of truly staging his biblical oratorios, Handel turned this apparent dramatic void into a truly musical force. Examples taken from Saul, Joshua, Belshazzar, Israel in Egypt and Samson will show how the complex and varied processes of (r...
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| Format: | Article |
| Language: | English |
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Maison de la Recherche en Sciences Humaines
2008-02-01
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| Series: | Revue LISA |
| Online Access: | http://journals.openedition.org/lisa/1132 |