Mihailova, M. (2011) Animating Space: From Mickey To WALL-E, by J.P. Telotte

Towards the end of his book, J.P. Telotte writes, “one of the underlying assumptions driving this study…is that we have generally neglected to recognise the extent to which animation is a spatial art” (253). Indeed, Telotte’s perceptive, well-argued analysis of space in the context of animation fill...

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Main Author: Mihaela Mihailova
Format: Article
Language:English
Published: University College Cork 2012-02-01
Series:Alphaville: Journal of Film and Screen Media
Subjects:
Online Access:http://www.alphavillejournal.com/Issue 2/HTML/ReviewMihailova.html
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spelling doaj-95c3b1f7953045348bb04176ae9fa8902021-08-23T11:39:22ZengUniversity College CorkAlphaville: Journal of Film and Screen Media2009-40782012-02-012111114https://doi.org/10.33178/alpha.2.12Mihailova, M. (2011) Animating Space: From Mickey To WALL-E, by J.P. TelotteMihaela Mihailova0https://orcid.org/0000-0002-3083-946XYale UniversityTowards the end of his book, J.P. Telotte writes, “one of the underlying assumptions driving this study…is that we have generally neglected to recognise the extent to which animation is a spatial art” (253). Indeed, Telotte’s perceptive, well-argued analysis of space in the context of animation fills a lacuna in the existing literature that is as glaring as it is inexplicable. How can something as obvious as animation’s status as a spatial art remain neglected? After all, as the author himself points out, an animator creates and brings to life not only characters, but also the realms that they inhabit. In that sense, animation is an inherently spatial project—one that involves constructing and making sense of space, infusing it with meaning, and incorporating it within the film’s representational and ideological project.http://www.alphavillejournal.com/Issue 2/HTML/ReviewMihailova.htmlanimating space
collection DOAJ
language English
format Article
sources DOAJ
author Mihaela Mihailova
spellingShingle Mihaela Mihailova
Mihailova, M. (2011) Animating Space: From Mickey To WALL-E, by J.P. Telotte
Alphaville: Journal of Film and Screen Media
animating space
author_facet Mihaela Mihailova
author_sort Mihaela Mihailova
title Mihailova, M. (2011) Animating Space: From Mickey To WALL-E, by J.P. Telotte
title_short Mihailova, M. (2011) Animating Space: From Mickey To WALL-E, by J.P. Telotte
title_full Mihailova, M. (2011) Animating Space: From Mickey To WALL-E, by J.P. Telotte
title_fullStr Mihailova, M. (2011) Animating Space: From Mickey To WALL-E, by J.P. Telotte
title_full_unstemmed Mihailova, M. (2011) Animating Space: From Mickey To WALL-E, by J.P. Telotte
title_sort mihailova, m. (2011) animating space: from mickey to wall-e, by j.p. telotte
publisher University College Cork
series Alphaville: Journal of Film and Screen Media
issn 2009-4078
publishDate 2012-02-01
description Towards the end of his book, J.P. Telotte writes, “one of the underlying assumptions driving this study…is that we have generally neglected to recognise the extent to which animation is a spatial art” (253). Indeed, Telotte’s perceptive, well-argued analysis of space in the context of animation fills a lacuna in the existing literature that is as glaring as it is inexplicable. How can something as obvious as animation’s status as a spatial art remain neglected? After all, as the author himself points out, an animator creates and brings to life not only characters, but also the realms that they inhabit. In that sense, animation is an inherently spatial project—one that involves constructing and making sense of space, infusing it with meaning, and incorporating it within the film’s representational and ideological project.
topic animating space
url http://www.alphavillejournal.com/Issue 2/HTML/ReviewMihailova.html
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