Mihailova, M. (2011) Animating Space: From Mickey To WALL-E, by J.P. Telotte
Towards the end of his book, J.P. Telotte writes, “one of the underlying assumptions driving this study…is that we have generally neglected to recognise the extent to which animation is a spatial art” (253). Indeed, Telotte’s perceptive, well-argued analysis of space in the context of animation fill...
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doaj-95c3b1f7953045348bb04176ae9fa8902021-08-23T11:39:22ZengUniversity College CorkAlphaville: Journal of Film and Screen Media2009-40782012-02-012111114https://doi.org/10.33178/alpha.2.12Mihailova, M. (2011) Animating Space: From Mickey To WALL-E, by J.P. TelotteMihaela Mihailova0https://orcid.org/0000-0002-3083-946XYale UniversityTowards the end of his book, J.P. Telotte writes, “one of the underlying assumptions driving this study…is that we have generally neglected to recognise the extent to which animation is a spatial art” (253). Indeed, Telotte’s perceptive, well-argued analysis of space in the context of animation fills a lacuna in the existing literature that is as glaring as it is inexplicable. How can something as obvious as animation’s status as a spatial art remain neglected? After all, as the author himself points out, an animator creates and brings to life not only characters, but also the realms that they inhabit. In that sense, animation is an inherently spatial project—one that involves constructing and making sense of space, infusing it with meaning, and incorporating it within the film’s representational and ideological project.http://www.alphavillejournal.com/Issue 2/HTML/ReviewMihailova.htmlanimating space |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Mihaela Mihailova |
spellingShingle |
Mihaela Mihailova Mihailova, M. (2011) Animating Space: From Mickey To WALL-E, by J.P. Telotte Alphaville: Journal of Film and Screen Media animating space |
author_facet |
Mihaela Mihailova |
author_sort |
Mihaela Mihailova |
title |
Mihailova, M. (2011) Animating Space: From Mickey To WALL-E, by J.P. Telotte |
title_short |
Mihailova, M. (2011) Animating Space: From Mickey To WALL-E, by J.P. Telotte |
title_full |
Mihailova, M. (2011) Animating Space: From Mickey To WALL-E, by J.P. Telotte |
title_fullStr |
Mihailova, M. (2011) Animating Space: From Mickey To WALL-E, by J.P. Telotte |
title_full_unstemmed |
Mihailova, M. (2011) Animating Space: From Mickey To WALL-E, by J.P. Telotte |
title_sort |
mihailova, m. (2011) animating space: from mickey to wall-e, by j.p. telotte |
publisher |
University College Cork |
series |
Alphaville: Journal of Film and Screen Media |
issn |
2009-4078 |
publishDate |
2012-02-01 |
description |
Towards the end of his book, J.P. Telotte writes, “one of the underlying assumptions driving this study…is that we have generally neglected to recognise the extent to which animation is a spatial art” (253). Indeed, Telotte’s perceptive, well-argued analysis of space in the context of animation fills a lacuna in the existing literature that is as glaring as it is inexplicable. How can something as obvious as animation’s status as a spatial art remain neglected? After all, as the author himself points out, an animator creates and brings to life not only characters, but also the realms that they inhabit. In that sense, animation is an inherently spatial project—one that involves constructing and making sense of space, infusing it with meaning, and incorporating it within the film’s representational and ideological project. |
topic |
animating space |
url |
http://www.alphavillejournal.com/Issue 2/HTML/ReviewMihailova.html |
work_keys_str_mv |
AT mihaelamihailova mihailovam2011animatingspacefrommickeytowallebyjptelotte |
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1721198520094949376 |