<i>Imaginary Homelands</i>. Rappresentazioni incrociate di Oriente e Occidente nella letteratura di viaggio contemporanea

Since the time of Herodotus’ Historiai, travel writing as a literary genre has been marked by an unspoken premise: Westerners would be the observing travellers, while Orientals or Easterners, on the contrary, the observed natives. Focusing on the recent development of an opposite «counter-travel wri...

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Main Author: Luigi Marfè
Format: Article
Language:English
Published: Università degli Studi di Cagliari 2011-11-01
Series:Between
Subjects:
Online Access:http://ojs.unica.it/index.php/between/article/view/301
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spelling doaj-958b0506f38346ceb56c91bbd5fef99e2020-11-24T22:42:36ZengUniversità degli Studi di CagliariBetween2039-65972011-11-011210.13125/2039-6597/301228<i>Imaginary Homelands</i>. Rappresentazioni incrociate di Oriente e Occidente nella letteratura di viaggio contemporaneaLuigi Marfè0Università di TorinoSince the time of Herodotus’ Historiai, travel writing as a literary genre has been marked by an unspoken premise: Westerners would be the observing travellers, while Orientals or Easterners, on the contrary, the observed natives. Focusing on the recent development of an opposite «counter-travel writing» by extra-European authors who live in the West and face its contradictions, this essay defines the historical and literary changes that have overturned this paradigm. Caught between two cultures, two languages, and two nations, authors such as Salman Rushdie, Amitav Ghosh, and Suketu Mehta, have profoundly reshaped the representation of the cultural encounter between the West and the East. If “nation” consists in its “narration”, as Homi Bhabha puts it, the same concept of homeland loses its geographical roots and opens itself to the endless contaminations of a global world. West and East thus become “imaginary homelands”: ideal spaces for the renegotiation of cultures and identities which need always to be rethought, retold, and re-imagined.http://ojs.unica.it/index.php/between/article/view/301Letterature di viaggioGeocriticaGlobalizzazioneOrientalismoStudi postcoloniali
collection DOAJ
language English
format Article
sources DOAJ
author Luigi Marfè
spellingShingle Luigi Marfè
<i>Imaginary Homelands</i>. Rappresentazioni incrociate di Oriente e Occidente nella letteratura di viaggio contemporanea
Between
Letterature di viaggio
Geocritica
Globalizzazione
Orientalismo
Studi postcoloniali
author_facet Luigi Marfè
author_sort Luigi Marfè
title <i>Imaginary Homelands</i>. Rappresentazioni incrociate di Oriente e Occidente nella letteratura di viaggio contemporanea
title_short <i>Imaginary Homelands</i>. Rappresentazioni incrociate di Oriente e Occidente nella letteratura di viaggio contemporanea
title_full <i>Imaginary Homelands</i>. Rappresentazioni incrociate di Oriente e Occidente nella letteratura di viaggio contemporanea
title_fullStr <i>Imaginary Homelands</i>. Rappresentazioni incrociate di Oriente e Occidente nella letteratura di viaggio contemporanea
title_full_unstemmed <i>Imaginary Homelands</i>. Rappresentazioni incrociate di Oriente e Occidente nella letteratura di viaggio contemporanea
title_sort <i>imaginary homelands</i>. rappresentazioni incrociate di oriente e occidente nella letteratura di viaggio contemporanea
publisher Università degli Studi di Cagliari
series Between
issn 2039-6597
publishDate 2011-11-01
description Since the time of Herodotus’ Historiai, travel writing as a literary genre has been marked by an unspoken premise: Westerners would be the observing travellers, while Orientals or Easterners, on the contrary, the observed natives. Focusing on the recent development of an opposite «counter-travel writing» by extra-European authors who live in the West and face its contradictions, this essay defines the historical and literary changes that have overturned this paradigm. Caught between two cultures, two languages, and two nations, authors such as Salman Rushdie, Amitav Ghosh, and Suketu Mehta, have profoundly reshaped the representation of the cultural encounter between the West and the East. If “nation” consists in its “narration”, as Homi Bhabha puts it, the same concept of homeland loses its geographical roots and opens itself to the endless contaminations of a global world. West and East thus become “imaginary homelands”: ideal spaces for the renegotiation of cultures and identities which need always to be rethought, retold, and re-imagined.
topic Letterature di viaggio
Geocritica
Globalizzazione
Orientalismo
Studi postcoloniali
url http://ojs.unica.it/index.php/between/article/view/301
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