The author's strategies of the communicative paradigm in the medieval romance
The research is devoted to the study of the actualization of meanings in a literary text. The study is based on the material of a medieval novel. The subject of the study was the corpus of texts of chivalric novels. In the aggregate, the study of (linguistic-rhetorical) works. The analysis was carri...
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EDP Sciences
2021-01-01
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Online Access: | https://www.e3s-conferences.org/articles/e3sconf/pdf/2021/49/e3sconf_interagromash2021_11046.pdf |
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doaj-956dc3bd4f974572ad1eab8d43481e5b2021-07-06T14:15:15ZengEDP SciencesE3S Web of Conferences2267-12422021-01-012731104610.1051/e3sconf/202127311046e3sconf_interagromash2021_11046The author's strategies of the communicative paradigm in the medieval romanceDemchenko Valentina0Lutsenko Natalia1Gaibaryan Olga2Khoroshevskaya Yulia3Don State UniversityDon State UniversitySouth Federal UniversityRostov State Transport University, Rostov Rifle Regiment of the People’s Militia square, 2The research is devoted to the study of the actualization of meanings in a literary text. The study is based on the material of a medieval novel. The subject of the study was the corpus of texts of chivalric novels. In the aggregate, the study of (linguistic-rhetorical) works. The analysis was carried out from the position of studying the author's strategy of influencing the reader in order to have a certain attitude to the hero or plot of the work. The author's influencing strategy in novels is conceptually different from the strategies in works of other genres. The fact that in the works of different authors, united by one image of the main character, use similar elements of influence on the reader, which indicates a special perception of the image of the main character in the minds of people of the XII–XV centuries. This perception is formed both from the totality of literary techniques that pass from work to work, and at the level of linguistic means.https://www.e3s-conferences.org/articles/e3sconf/pdf/2021/49/e3sconf_interagromash2021_11046.pdf |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Demchenko Valentina Lutsenko Natalia Gaibaryan Olga Khoroshevskaya Yulia |
spellingShingle |
Demchenko Valentina Lutsenko Natalia Gaibaryan Olga Khoroshevskaya Yulia The author's strategies of the communicative paradigm in the medieval romance E3S Web of Conferences |
author_facet |
Demchenko Valentina Lutsenko Natalia Gaibaryan Olga Khoroshevskaya Yulia |
author_sort |
Demchenko Valentina |
title |
The author's strategies of the communicative paradigm in the medieval romance |
title_short |
The author's strategies of the communicative paradigm in the medieval romance |
title_full |
The author's strategies of the communicative paradigm in the medieval romance |
title_fullStr |
The author's strategies of the communicative paradigm in the medieval romance |
title_full_unstemmed |
The author's strategies of the communicative paradigm in the medieval romance |
title_sort |
author's strategies of the communicative paradigm in the medieval romance |
publisher |
EDP Sciences |
series |
E3S Web of Conferences |
issn |
2267-1242 |
publishDate |
2021-01-01 |
description |
The research is devoted to the study of the actualization of meanings in a literary text. The study is based on the material of a medieval novel. The subject of the study was the corpus of texts of chivalric novels. In the aggregate, the study of (linguistic-rhetorical) works. The analysis was carried out from the position of studying the author's strategy of influencing the reader in order to have a certain attitude to the hero or plot of the work. The author's influencing strategy in novels is conceptually different from the strategies in works of other genres. The fact that in the works of different authors, united by one image of the main character, use similar elements of influence on the reader, which indicates a special perception of the image of the main character in the minds of people of the XII–XV centuries. This perception is formed both from the totality of literary techniques that pass from work to work, and at the level of linguistic means. |
url |
https://www.e3s-conferences.org/articles/e3sconf/pdf/2021/49/e3sconf_interagromash2021_11046.pdf |
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