The author's strategies of the communicative paradigm in the medieval romance

The research is devoted to the study of the actualization of meanings in a literary text. The study is based on the material of a medieval novel. The subject of the study was the corpus of texts of chivalric novels. In the aggregate, the study of (linguistic-rhetorical) works. The analysis was carri...

Full description

Bibliographic Details
Main Authors: Demchenko Valentina, Lutsenko Natalia, Gaibaryan Olga, Khoroshevskaya Yulia
Format: Article
Language:English
Published: EDP Sciences 2021-01-01
Series:E3S Web of Conferences
Online Access:https://www.e3s-conferences.org/articles/e3sconf/pdf/2021/49/e3sconf_interagromash2021_11046.pdf
id doaj-956dc3bd4f974572ad1eab8d43481e5b
record_format Article
spelling doaj-956dc3bd4f974572ad1eab8d43481e5b2021-07-06T14:15:15ZengEDP SciencesE3S Web of Conferences2267-12422021-01-012731104610.1051/e3sconf/202127311046e3sconf_interagromash2021_11046The author's strategies of the communicative paradigm in the medieval romanceDemchenko Valentina0Lutsenko Natalia1Gaibaryan Olga2Khoroshevskaya Yulia3Don State UniversityDon State UniversitySouth Federal UniversityRostov State Transport University, Rostov Rifle Regiment of the People’s Militia square, 2The research is devoted to the study of the actualization of meanings in a literary text. The study is based on the material of a medieval novel. The subject of the study was the corpus of texts of chivalric novels. In the aggregate, the study of (linguistic-rhetorical) works. The analysis was carried out from the position of studying the author's strategy of influencing the reader in order to have a certain attitude to the hero or plot of the work. The author's influencing strategy in novels is conceptually different from the strategies in works of other genres. The fact that in the works of different authors, united by one image of the main character, use similar elements of influence on the reader, which indicates a special perception of the image of the main character in the minds of people of the XII–XV centuries. This perception is formed both from the totality of literary techniques that pass from work to work, and at the level of linguistic means.https://www.e3s-conferences.org/articles/e3sconf/pdf/2021/49/e3sconf_interagromash2021_11046.pdf
collection DOAJ
language English
format Article
sources DOAJ
author Demchenko Valentina
Lutsenko Natalia
Gaibaryan Olga
Khoroshevskaya Yulia
spellingShingle Demchenko Valentina
Lutsenko Natalia
Gaibaryan Olga
Khoroshevskaya Yulia
The author's strategies of the communicative paradigm in the medieval romance
E3S Web of Conferences
author_facet Demchenko Valentina
Lutsenko Natalia
Gaibaryan Olga
Khoroshevskaya Yulia
author_sort Demchenko Valentina
title The author's strategies of the communicative paradigm in the medieval romance
title_short The author's strategies of the communicative paradigm in the medieval romance
title_full The author's strategies of the communicative paradigm in the medieval romance
title_fullStr The author's strategies of the communicative paradigm in the medieval romance
title_full_unstemmed The author's strategies of the communicative paradigm in the medieval romance
title_sort author's strategies of the communicative paradigm in the medieval romance
publisher EDP Sciences
series E3S Web of Conferences
issn 2267-1242
publishDate 2021-01-01
description The research is devoted to the study of the actualization of meanings in a literary text. The study is based on the material of a medieval novel. The subject of the study was the corpus of texts of chivalric novels. In the aggregate, the study of (linguistic-rhetorical) works. The analysis was carried out from the position of studying the author's strategy of influencing the reader in order to have a certain attitude to the hero or plot of the work. The author's influencing strategy in novels is conceptually different from the strategies in works of other genres. The fact that in the works of different authors, united by one image of the main character, use similar elements of influence on the reader, which indicates a special perception of the image of the main character in the minds of people of the XII–XV centuries. This perception is formed both from the totality of literary techniques that pass from work to work, and at the level of linguistic means.
url https://www.e3s-conferences.org/articles/e3sconf/pdf/2021/49/e3sconf_interagromash2021_11046.pdf
work_keys_str_mv AT demchenkovalentina theauthorsstrategiesofthecommunicativeparadigminthemedievalromance
AT lutsenkonatalia theauthorsstrategiesofthecommunicativeparadigminthemedievalromance
AT gaibaryanolga theauthorsstrategiesofthecommunicativeparadigminthemedievalromance
AT khoroshevskayayulia theauthorsstrategiesofthecommunicativeparadigminthemedievalromance
AT demchenkovalentina authorsstrategiesofthecommunicativeparadigminthemedievalromance
AT lutsenkonatalia authorsstrategiesofthecommunicativeparadigminthemedievalromance
AT gaibaryanolga authorsstrategiesofthecommunicativeparadigminthemedievalromance
AT khoroshevskayayulia authorsstrategiesofthecommunicativeparadigminthemedievalromance
_version_ 1721317217957576704