‘TranSonic’ Perception in Interactive ChoreoSonic Performance Practice

This paper reflects on the creation and perception of an interactive spatial ChoreoSonic performance environment. The term ‘Transonic Perception’ is introduced to describe the intimate bodily experience of the dancer who creates the 3D spatial sonic environment within the technologically enhanced en...

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Main Author:	Stan Wijnans
Format:	Article
Language:	English
Published:	Open Library of Humanities 2011-07-01
Series:	Body, Space & Technology Journal
Online Access:	https://www.bstjournal.com/articles/81

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spelling	doaj-943c501b1ed6411a87a9a1c4d171005d2020-11-24T21:51:07ZengOpen Library of HumanitiesBody, Space & Technology Journal1470-91202011-07-0110281‘TranSonic’ Perception in Interactive ChoreoSonic Performance PracticeStan WijnansThis paper reflects on the creation and perception of an interactive spatial ChoreoSonic performance environment. The term ‘Transonic Perception’ is introduced to describe the intimate bodily experience of the dancer who creates the 3D spatial sonic environment within the technologically enhanced environment. I will discuss conceptual issues that outline a synchronicity between the spatial elements of dance movement and 3D spatial sound perception that can be used artistically in the creative process. The discussion focuses specifically on the human perception of the visual, tactical and auditory space in the digitally enhanced performance environment.https://www.bstjournal.com/articles/81
collection	DOAJ
language	English
format	Article
sources	DOAJ
author	Stan Wijnans
spellingShingle	Stan Wijnans ‘TranSonic’ Perception in Interactive ChoreoSonic Performance Practice Body, Space & Technology Journal
author_facet	Stan Wijnans
author_sort	Stan Wijnans
title	‘TranSonic’ Perception in Interactive ChoreoSonic Performance Practice
title_short	‘TranSonic’ Perception in Interactive ChoreoSonic Performance Practice
title_full	‘TranSonic’ Perception in Interactive ChoreoSonic Performance Practice
title_fullStr	‘TranSonic’ Perception in Interactive ChoreoSonic Performance Practice
title_full_unstemmed	‘TranSonic’ Perception in Interactive ChoreoSonic Performance Practice
title_sort	‘transonic’ perception in interactive choreosonic performance practice
publisher	Open Library of Humanities
series	Body, Space & Technology Journal
issn	1470-9120
publishDate	2011-07-01
description	This paper reflects on the creation and perception of an interactive spatial ChoreoSonic performance environment. The term ‘Transonic Perception’ is introduced to describe the intimate bodily experience of the dancer who creates the 3D spatial sonic environment within the technologically enhanced environment. I will discuss conceptual issues that outline a synchronicity between the spatial elements of dance movement and 3D spatial sound perception that can be used artistically in the creative process. The discussion focuses specifically on the human perception of the visual, tactical and auditory space in the digitally enhanced performance environment.
url	https://www.bstjournal.com/articles/81
work_keys_str_mv	AT stanwijnans transonicperceptionininteractivechoreosonicperformancepractice
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‘TranSonic’ Perception in Interactive ChoreoSonic Performance Practice

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