Una quête inesausta

Una quête inesausta

The essay reviews Umberto Artioli’s works detecting two complementary factors throughout them: the impatience of unchallengeable critical axioms and the tendency to uncover hidden, “underground” motifs in the works of the dramatists and theatre theoreticians Artioli chose to investigate. Degli Espos...

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Bibliographic Details
Main Author: Paola Degli Esposti
Format: Article
Language:English
Published: Accademia University Press 2015-12-01
Series:Mimesis Journal
Online Access:http://journals.openedition.org/mimesis/1080
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spelling doaj-93fb322a3c18436a9febcd2ef6d4d8d52020-11-24T23:12:52ZengAccademia University PressMimesis Journal2279-72032015-12-0142152210.4000/mimesis.1080Una quête inesaustaPaola Degli EspostiThe essay reviews Umberto Artioli’s works detecting two complementary factors throughout them: the impatience of unchallengeable critical axioms and the tendency to uncover hidden, “underground” motifs in the works of the dramatists and theatre theoreticians Artioli chose to investigate. Degli Esposti reads these two components as complementary factors in Artioli’s critical perspective, maintaining the impossibility to exhaust all possible critical interpretations of an issue was for him both the main attraction and the basis of scientific research.http://journals.openedition.org/mimesis/1080
collection DOAJ
language English
format Article
sources DOAJ
author Paola Degli Esposti
spellingShingle Paola Degli Esposti
Una quête inesausta
Mimesis Journal
author_facet Paola Degli Esposti
author_sort Paola Degli Esposti
title Una quête inesausta
title_short Una quête inesausta
title_full Una quête inesausta
title_fullStr Una quête inesausta
title_full_unstemmed Una quête inesausta
title_sort una quête inesausta
publisher Accademia University Press
series Mimesis Journal
issn 2279-7203
publishDate 2015-12-01
description The essay reviews Umberto Artioli’s works detecting two complementary factors throughout them: the impatience of unchallengeable critical axioms and the tendency to uncover hidden, “underground” motifs in the works of the dramatists and theatre theoreticians Artioli chose to investigate. Degli Esposti reads these two components as complementary factors in Artioli’s critical perspective, maintaining the impossibility to exhaust all possible critical interpretations of an issue was for him both the main attraction and the basis of scientific research.
url http://journals.openedition.org/mimesis/1080
work_keys_str_mv AT paoladegliesposti unaqueteinesausta
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