‘Sexuality is fluid’, or or is it? An analysis of television’s The L Word from the perspectives of gender and sexuality

North American television series The L Word (USA 2004-present) tells the story of a group of lesbian and bisexual women living in Los Angeles. The current article offers a close reading of the first two seasons of the series, analysing them from the perspectives of both feminist theory and queer the...

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Main Author: Niina Kuorikoski
Format: Article
Language:English
Published: Ośrodek Studiów Amerykańskich Uniwersytetu Warszawskiego 2007-09-01
Series:InterAlia
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spelling doaj-93ef2aecc96b4c2d9cbce4433a7f291e2021-09-09T09:45:09ZengOśrodek Studiów Amerykańskich Uniwersytetu WarszawskiegoInterAlia1689-66372007-09-01210.51897/interalia/HEEZ1704‘Sexuality is fluid’, or or is it? An analysis of television’s The L Word from the perspectives of gender and sexualityNiina Kuorikoski0University of OuluNorth American television series The L Word (USA 2004-present) tells the story of a group of lesbian and bisexual women living in Los Angeles. The current article offers a close reading of the first two seasons of the series, analysing them from the perspectives of both feminist theory and queer theory. It demonstrates that even though the series deconstructs the normative boundaries of both gender and sexuality, it can also be said to maintain the ideals of a heteronormative society. The argument is explored by paying attention to several aspects of the series. These include the series' advertising both in Finland and the United States and the normative femininity of the lesbian characters. In addition, the article aims to highlight the manner in which the series depicts certain characters which can be said to stretch the normative boundaries of gender and sexuality. Through this, the article strives to give a diverse account of the series' first two seasons and further critical discussion of The L Word and its representations.
collection DOAJ
language English
format Article
sources DOAJ
author Niina Kuorikoski
spellingShingle Niina Kuorikoski
‘Sexuality is fluid’, or or is it? An analysis of television’s The L Word from the perspectives of gender and sexuality
InterAlia
author_facet Niina Kuorikoski
author_sort Niina Kuorikoski
title ‘Sexuality is fluid’, or or is it? An analysis of television’s The L Word from the perspectives of gender and sexuality
title_short ‘Sexuality is fluid’, or or is it? An analysis of television’s The L Word from the perspectives of gender and sexuality
title_full ‘Sexuality is fluid’, or or is it? An analysis of television’s The L Word from the perspectives of gender and sexuality
title_fullStr ‘Sexuality is fluid’, or or is it? An analysis of television’s The L Word from the perspectives of gender and sexuality
title_full_unstemmed ‘Sexuality is fluid’, or or is it? An analysis of television’s The L Word from the perspectives of gender and sexuality
title_sort ‘sexuality is fluid’, or or is it? an analysis of television’s the l word from the perspectives of gender and sexuality
publisher Ośrodek Studiów Amerykańskich Uniwersytetu Warszawskiego
series InterAlia
issn 1689-6637
publishDate 2007-09-01
description North American television series The L Word (USA 2004-present) tells the story of a group of lesbian and bisexual women living in Los Angeles. The current article offers a close reading of the first two seasons of the series, analysing them from the perspectives of both feminist theory and queer theory. It demonstrates that even though the series deconstructs the normative boundaries of both gender and sexuality, it can also be said to maintain the ideals of a heteronormative society. The argument is explored by paying attention to several aspects of the series. These include the series' advertising both in Finland and the United States and the normative femininity of the lesbian characters. In addition, the article aims to highlight the manner in which the series depicts certain characters which can be said to stretch the normative boundaries of gender and sexuality. Through this, the article strives to give a diverse account of the series' first two seasons and further critical discussion of The L Word and its representations.
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