TRANSLATION OF THE EXTRACTS WITH HUMOROUS EFFECT: CONTRASTIVE ANALYSIS

The article deals with the idea of changing general system how to decompose the extracts with humorous effect when carrying out the contrastive analysis of the original text and its translation. The previously used system of translation techniques based on a language structure doesn’t always have a...

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Bibliographic Details
Main Author: Evgeniya Sergeevna Abaeva
Format: Article
Language:English
Published: Peoples’ Friendship University of Russia (RUDN University) 2018-12-01
Series:RUDN Journal of Language Studies, Semiotics and Semantics
Subjects:
Online Access:http://journals.rudn.ru/semiotics-semantics/article/view/18748
Description
Summary:The article deals with the idea of changing general system how to decompose the extracts with humorous effect when carrying out the contrastive analysis of the original text and its translation. The previously used system of translation techniques based on a language structure doesn’t always have a positive effect on the results of the contrastive analysis of these texts. The author suggests using General theory of verbal humour (GTVH), created by S. Attardo semantic theory of humour (V. Raskin). The essential parameter is script opposition. The paper having one source text and two target texts as the material shows the advantages of the theory to find out differences and similarities in the system «original text/ translation», as well as in the system «translation 1 / translation 2». The author believes that changing the perspective for contrastive analysis with the help of the new system applied we can describe the translation procedure in more details, as well as demonstrate his/her strategy and explain the variability in linguistic means usage. Moreover, the new approach helps us explain some possible translation failures more objectively and carry out the contrastive analysis of two variants of translation of one source text, if necessary. The observations and conclusions, presented as the results in the paper, could be important for the development of humour translation theory in general and for practice in the sphere of literary translation in particular.
ISSN:2313-2299
2411-1236