‘Crows’ vs. ‘Avatar,’ or: 3D vs. Total-Dimension Immersion
3D film’s explicit new space depth arguably provides both an enhanced realistic quality to the image and a wealth of more acute visual and haptic sensations (a ‘montage of attractions’) to the increasingly involved spectator. But David Cronenberg’s related ironic remark that “cinema as such is from...
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Format: | Article |
Language: | English |
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Sciendo
2014-09-01
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Series: | Acta Universitatis Sapientiae: Film and Media Studies |
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Online Access: | https://doi.org/10.2478/ausfm-2014-0027 |