The Political Mission of Contemporary Urban Statuary. Image, History and Territorial Identity in Montpellier (France)

This paper deals with the political dimension of the urban public space. It examines the political meaning of a contemporary statuary. The research carried out in Montpellier (France) deals with three public spaces which gather most of the contemporary statues. We explore the emblematic images (or i...

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Main Author: Laurent Viala
Format: Article
Language:English
Published: Journal of Urban Research 2019-03-01
Series:Articulo: Journal of Urban Research
Subjects:
Online Access:http://journals.openedition.org/articulo/4058
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spelling doaj-93362c3c149b4a52a979d4562290d9ed2021-04-08T20:03:02ZengJournal of Urban ResearchArticulo: Journal of Urban Research1661-49412019-03-011910.4000/articulo.4058The Political Mission of Contemporary Urban Statuary. Image, History and Territorial Identity in Montpellier (France)Laurent VialaThis paper deals with the political dimension of the urban public space. It examines the political meaning of a contemporary statuary. The research carried out in Montpellier (France) deals with three public spaces which gather most of the contemporary statues. We explore the emblematic images (or images of images) of universal, real or mythical characters as several arguments in order to overhaul a new political order in and by the urban public space. This order is read in the perspective of an historical assertion of the territorial identity of the city of Montpellier. We use some aspects of the semiotic triad (icon, index, symbol) of Charles Peirce's theory of signs. First, we consider the new mesh size of the urban public space, which is understood as the expression of a territorial personal foresight, thought by Georges Frêche, former mayor of Montpellier. Then, the obsolete civic imagery is reformulated by valuing a social imagery which takes part in an historical urban rhetoric. A triple dimensioning of the historical path of Montpellier is identified: it appears as Mediterranean, revolutionary and global. Finally, in line with the critical urban geography developed, it results in three political effects of the statuary: the first formulates new principles for public-spiritedness and civility through the citadinity; secondly, in a form of paradox, these statues tell a story about the future of the city; last, it shows how a political leader makes space a political one.http://journals.openedition.org/articulo/4058Statuestatuaryurban public spacepolityMontpellier
collection DOAJ
language English
format Article
sources DOAJ
author Laurent Viala
spellingShingle Laurent Viala
The Political Mission of Contemporary Urban Statuary. Image, History and Territorial Identity in Montpellier (France)
Articulo: Journal of Urban Research
Statue
statuary
urban public space
polity
Montpellier
author_facet Laurent Viala
author_sort Laurent Viala
title The Political Mission of Contemporary Urban Statuary. Image, History and Territorial Identity in Montpellier (France)
title_short The Political Mission of Contemporary Urban Statuary. Image, History and Territorial Identity in Montpellier (France)
title_full The Political Mission of Contemporary Urban Statuary. Image, History and Territorial Identity in Montpellier (France)
title_fullStr The Political Mission of Contemporary Urban Statuary. Image, History and Territorial Identity in Montpellier (France)
title_full_unstemmed The Political Mission of Contemporary Urban Statuary. Image, History and Territorial Identity in Montpellier (France)
title_sort political mission of contemporary urban statuary. image, history and territorial identity in montpellier (france)
publisher Journal of Urban Research
series Articulo: Journal of Urban Research
issn 1661-4941
publishDate 2019-03-01
description This paper deals with the political dimension of the urban public space. It examines the political meaning of a contemporary statuary. The research carried out in Montpellier (France) deals with three public spaces which gather most of the contemporary statues. We explore the emblematic images (or images of images) of universal, real or mythical characters as several arguments in order to overhaul a new political order in and by the urban public space. This order is read in the perspective of an historical assertion of the territorial identity of the city of Montpellier. We use some aspects of the semiotic triad (icon, index, symbol) of Charles Peirce's theory of signs. First, we consider the new mesh size of the urban public space, which is understood as the expression of a territorial personal foresight, thought by Georges Frêche, former mayor of Montpellier. Then, the obsolete civic imagery is reformulated by valuing a social imagery which takes part in an historical urban rhetoric. A triple dimensioning of the historical path of Montpellier is identified: it appears as Mediterranean, revolutionary and global. Finally, in line with the critical urban geography developed, it results in three political effects of the statuary: the first formulates new principles for public-spiritedness and civility through the citadinity; secondly, in a form of paradox, these statues tell a story about the future of the city; last, it shows how a political leader makes space a political one.
topic Statue
statuary
urban public space
polity
Montpellier
url http://journals.openedition.org/articulo/4058
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