Video etnográfico boliviano de la década del ochenta: (Otra) identidad, historia y territorio

The problematization of the narratives of national identity, the “rediscovery” of the indigenous world, the territory and history, were issues that the new democratic agenda pushed to treat the bolivian young filmmakers. Indeed, the outcome of dictatorships, the growing political organization of the...

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Main Author: María Aimaretti
Format: Article
Language:English
Published: Centre de Recherches sur les Mondes Américains 2019-12-01
Series:Nuevo mundo - Mundos Nuevos
Subjects:
Online Access:http://journals.openedition.org/nuevomundo/78783
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spelling doaj-9312a016b1c944a5a394852427a098652021-10-05T12:54:09ZengCentre de Recherches sur les Mondes AméricainsNuevo mundo - Mundos Nuevos1626-02522019-12-0110.4000/nuevomundo.78783Video etnográfico boliviano de la década del ochenta: (Otra) identidad, historia y territorioMaría AimarettiThe problematization of the narratives of national identity, the “rediscovery” of the indigenous world, the territory and history, were issues that the new democratic agenda pushed to treat the bolivian young filmmakers. Indeed, the outcome of dictatorships, the growing political organization of the indigenous sectors, their prominence in federations and unions, and the cultural and ideological self-valorization manifested in practices and discourses, were contextual factors that catalyzed the interest of new filmmakers as Eduardo López Zavala and Néstor Agramont, who were building their own path within the local audiovisual scene, articulating themselves in a diverse way with the documentary field, historical and ethnographic research, popular education and anthropology. This work focuses on one of the production trends of the Bolivian video of the eighties, the ethnographic, circumscribing its attention in the videos that López Zavala and Agramont materialized within the framework of the QHANA Popular Education Center: Levantémonos todos (1987) – which shows forms of community-political organization and, associated with it, the defense of the reserves in natural resources of the Uyuni salar area –, and, El camino de las almas (1989) – which thematizes the theft and commercialization of traditional abb. After commenting the historical context of both materials; and examine some conceptual contributions about the notions of territory and landscape, we will analyze the videos taking into account the representations with which the other indigenousness was represented, the past and social conflicts, and the notion of rights.http://journals.openedition.org/nuevomundo/78783ethnographic videoboliviaidentityterritoryhistory
collection DOAJ
language English
format Article
sources DOAJ
author María Aimaretti
spellingShingle María Aimaretti
Video etnográfico boliviano de la década del ochenta: (Otra) identidad, historia y territorio
Nuevo mundo - Mundos Nuevos
ethnographic video
bolivia
identity
territory
history
author_facet María Aimaretti
author_sort María Aimaretti
title Video etnográfico boliviano de la década del ochenta: (Otra) identidad, historia y territorio
title_short Video etnográfico boliviano de la década del ochenta: (Otra) identidad, historia y territorio
title_full Video etnográfico boliviano de la década del ochenta: (Otra) identidad, historia y territorio
title_fullStr Video etnográfico boliviano de la década del ochenta: (Otra) identidad, historia y territorio
title_full_unstemmed Video etnográfico boliviano de la década del ochenta: (Otra) identidad, historia y territorio
title_sort video etnográfico boliviano de la década del ochenta: (otra) identidad, historia y territorio
publisher Centre de Recherches sur les Mondes Américains
series Nuevo mundo - Mundos Nuevos
issn 1626-0252
publishDate 2019-12-01
description The problematization of the narratives of national identity, the “rediscovery” of the indigenous world, the territory and history, were issues that the new democratic agenda pushed to treat the bolivian young filmmakers. Indeed, the outcome of dictatorships, the growing political organization of the indigenous sectors, their prominence in federations and unions, and the cultural and ideological self-valorization manifested in practices and discourses, were contextual factors that catalyzed the interest of new filmmakers as Eduardo López Zavala and Néstor Agramont, who were building their own path within the local audiovisual scene, articulating themselves in a diverse way with the documentary field, historical and ethnographic research, popular education and anthropology. This work focuses on one of the production trends of the Bolivian video of the eighties, the ethnographic, circumscribing its attention in the videos that López Zavala and Agramont materialized within the framework of the QHANA Popular Education Center: Levantémonos todos (1987) – which shows forms of community-political organization and, associated with it, the defense of the reserves in natural resources of the Uyuni salar area –, and, El camino de las almas (1989) – which thematizes the theft and commercialization of traditional abb. After commenting the historical context of both materials; and examine some conceptual contributions about the notions of territory and landscape, we will analyze the videos taking into account the representations with which the other indigenousness was represented, the past and social conflicts, and the notion of rights.
topic ethnographic video
bolivia
identity
territory
history
url http://journals.openedition.org/nuevomundo/78783
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