The Interpretation of Traditions of the Masks of the Beijing Opera in the Representation of the Characters’ Images of the Chinese Musical Drama by Sang Bo “Butterfly”
The aim of the article is to reveal the interpretation character of the traditions of the masks of the Beijing opera in the roles of the Chinese musical drama of the early 21st century Sang Bo “Butterfly”. Research methodology. Achieving the objectives of the study required the use of a system of su...
Main Author: | Xianwei E |
---|---|
Format: | Article |
Language: | English |
Published: |
Kharkiv State Academy of Culture
2018-05-01
|
Series: | Культура України |
Online Access: | http://ku-khsac.in.ua/article/view/136490 |
Similar Items
-
Opera Seria as drama : the musical dramas of Hasse and Metastasio
by: Monelle, Raymond
Published: (1979) -
Conversation and Apposition Between Beijing Opera and Stage Drama― A Research of “Apocalypse of Beijing Opera”and“One Hundred Years on Stage”
by: PAN,SHU-HUI, et al.
Published: (2018) -
An Investigation into Crossover Music in the Taiwanese OperaLost Butterfly
by: Lee, Tzu-Ying, et al.
Published: (2012) -
CHINA’S MUSICAL REVOLUTION: FROM BEIJING OPERA TO YANGBANXI
by: Ludden, Yawen
Published: (2013) -
A Study of Contemporary Chinese Classical Opera in Taiwan — On the Cross Cultural Interpretation of Music and Drama
by: CHANG, YUH-YIN, et al.
Published: (2019)