De architectuurtekeningen van de kinderen van het Utrechtse Burgerweeshuis

In the Topographical Atlas of the municipal archives of Utrecht there is a unique collection of drawings. They were made by orphan boys from the Reformed orphanage on the responsibility of art teacher Arnoldus Koopman who was employed there from 1766 to 1805. A quarter of the 296 preserved drawings...

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Main Author: Thomas H. von der Dunk
Format: Article
Language:English
Published: KNOB 1997-04-01
Series:Bulletin KNOB
Online Access:https://bulletin.knob.nl/index.php/knob/article/view/439
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spelling doaj-928d7241fe434a7ca80d093842c5c9372021-07-15T10:51:05ZengKNOBBulletin KNOB0166-04702589-33431997-04-01505710.7480/knob.96.1997.2.394400De architectuurtekeningen van de kinderen van het Utrechtse BurgerweeshuisThomas H. von der DunkIn the Topographical Atlas of the municipal archives of Utrecht there is a unique collection of drawings. They were made by orphan boys from the Reformed orphanage on the responsibility of art teacher Arnoldus Koopman who was employed there from 1766 to 1805. A quarter of the 296 preserved drawings fall under the scope of architecture, of which one-third concerns accurate studies of columns and two-thirds are drawings of stairwells, roof timbers and roof constructions. The greater part of them was signed and unfortunately just a small part of them was dated. On the basis of these datings it is to be assumed that most of them were made during the last period of their makers' stay in the orphanage, which they usually left around the age of 24. Apart from these there are twelve drawings on various subjects, probably chiefly from the period between 1770 and 1780. These are the most interesting ones. They include, for instance, designs for town halls and country estates, for domed summerhouses and garden houses, as well as a beautiful sketch of an organ front. There often was a connection with the trade for which the maker was being educated, frequently the trade of carpenter, but also of decorative painter (a ceiling), cabinetmaker (the organ) or stained-glass artist (garden houses with a lot of glass). From a stylistic point of view the designs are rather conservative in character; the new neo-Classicism of those days is hardly noticeable.https://bulletin.knob.nl/index.php/knob/article/view/439
collection DOAJ
language English
format Article
sources DOAJ
author Thomas H. von der Dunk
spellingShingle Thomas H. von der Dunk
De architectuurtekeningen van de kinderen van het Utrechtse Burgerweeshuis
Bulletin KNOB
author_facet Thomas H. von der Dunk
author_sort Thomas H. von der Dunk
title De architectuurtekeningen van de kinderen van het Utrechtse Burgerweeshuis
title_short De architectuurtekeningen van de kinderen van het Utrechtse Burgerweeshuis
title_full De architectuurtekeningen van de kinderen van het Utrechtse Burgerweeshuis
title_fullStr De architectuurtekeningen van de kinderen van het Utrechtse Burgerweeshuis
title_full_unstemmed De architectuurtekeningen van de kinderen van het Utrechtse Burgerweeshuis
title_sort de architectuurtekeningen van de kinderen van het utrechtse burgerweeshuis
publisher KNOB
series Bulletin KNOB
issn 0166-0470
2589-3343
publishDate 1997-04-01
description In the Topographical Atlas of the municipal archives of Utrecht there is a unique collection of drawings. They were made by orphan boys from the Reformed orphanage on the responsibility of art teacher Arnoldus Koopman who was employed there from 1766 to 1805. A quarter of the 296 preserved drawings fall under the scope of architecture, of which one-third concerns accurate studies of columns and two-thirds are drawings of stairwells, roof timbers and roof constructions. The greater part of them was signed and unfortunately just a small part of them was dated. On the basis of these datings it is to be assumed that most of them were made during the last period of their makers' stay in the orphanage, which they usually left around the age of 24. Apart from these there are twelve drawings on various subjects, probably chiefly from the period between 1770 and 1780. These are the most interesting ones. They include, for instance, designs for town halls and country estates, for domed summerhouses and garden houses, as well as a beautiful sketch of an organ front. There often was a connection with the trade for which the maker was being educated, frequently the trade of carpenter, but also of decorative painter (a ceiling), cabinetmaker (the organ) or stained-glass artist (garden houses with a lot of glass). From a stylistic point of view the designs are rather conservative in character; the new neo-Classicism of those days is hardly noticeable.
url https://bulletin.knob.nl/index.php/knob/article/view/439
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