Imagined Archaeology and Enlivening the Proximate Senses in the construction of Blind Torrent – An Interdisciplinary Screendance Project

The screendance project Blind Torrent, is the result of an ongoing collaborative and interdisciplinary film making process between visual artist Russell Frampton and choreographer and somatic movement practitioner Ruth Way. The article will provide an analysis of the creative processes and insights,...

Full description

Bibliographic Details
Main Authors: Ruth Margaret Way, Russell James Frampton
Format: Article
Language:English
Published: The Ohio State University Libraries 2016-05-01
Series:The International Journal of Screendance
Subjects:
Online Access:http://screendancejournal.org/article/view/4908
id doaj-91f799d64e604d148a9f296b6706ca2d
record_format Article
spelling doaj-91f799d64e604d148a9f296b6706ca2d2020-11-24T21:21:03ZengThe Ohio State University LibrariesThe International Journal of Screendance2154-68782016-05-016010.18061/ijsd.v6i0.49083498Imagined Archaeology and Enlivening the Proximate Senses in the construction of Blind Torrent – An Interdisciplinary Screendance ProjectRuth Margaret Way0Russell James Frampton1Plymouth UniversityPlymouth College of ArtThe screendance project Blind Torrent, is the result of an ongoing collaborative and interdisciplinary film making process between visual artist Russell Frampton and choreographer and somatic movement practitioner Ruth Way. The article will provide an analysis of the creative processes and insights, which informed Blind Torrent. Anthropological and phenomenological theory will be drawn upon with the aim to reveal how the construction of ‘filmic ritual landscapes’ unearthed connections between site, artifact, temporality and embodied choreographic response. Connections between this screendance practice and the genres of land art and site-specific art will be discussed and inform the contextual analysis. The article will principally examine how the creation of empathic movement responses to the landscape developed a phenomenological interface between the body and landscape to enhance the proximate senses in the construction of Blind Torrent.http://screendancejournal.org/article/view/4908imagined archaeologylandscapeproximate sensessomatic movementritual
collection DOAJ
language English
format Article
sources DOAJ
author Ruth Margaret Way
Russell James Frampton
spellingShingle Ruth Margaret Way
Russell James Frampton
Imagined Archaeology and Enlivening the Proximate Senses in the construction of Blind Torrent – An Interdisciplinary Screendance Project
The International Journal of Screendance
imagined archaeology
landscape
proximate senses
somatic movement
ritual
author_facet Ruth Margaret Way
Russell James Frampton
author_sort Ruth Margaret Way
title Imagined Archaeology and Enlivening the Proximate Senses in the construction of Blind Torrent – An Interdisciplinary Screendance Project
title_short Imagined Archaeology and Enlivening the Proximate Senses in the construction of Blind Torrent – An Interdisciplinary Screendance Project
title_full Imagined Archaeology and Enlivening the Proximate Senses in the construction of Blind Torrent – An Interdisciplinary Screendance Project
title_fullStr Imagined Archaeology and Enlivening the Proximate Senses in the construction of Blind Torrent – An Interdisciplinary Screendance Project
title_full_unstemmed Imagined Archaeology and Enlivening the Proximate Senses in the construction of Blind Torrent – An Interdisciplinary Screendance Project
title_sort imagined archaeology and enlivening the proximate senses in the construction of blind torrent – an interdisciplinary screendance project
publisher The Ohio State University Libraries
series The International Journal of Screendance
issn 2154-6878
publishDate 2016-05-01
description The screendance project Blind Torrent, is the result of an ongoing collaborative and interdisciplinary film making process between visual artist Russell Frampton and choreographer and somatic movement practitioner Ruth Way. The article will provide an analysis of the creative processes and insights, which informed Blind Torrent. Anthropological and phenomenological theory will be drawn upon with the aim to reveal how the construction of ‘filmic ritual landscapes’ unearthed connections between site, artifact, temporality and embodied choreographic response. Connections between this screendance practice and the genres of land art and site-specific art will be discussed and inform the contextual analysis. The article will principally examine how the creation of empathic movement responses to the landscape developed a phenomenological interface between the body and landscape to enhance the proximate senses in the construction of Blind Torrent.
topic imagined archaeology
landscape
proximate senses
somatic movement
ritual
url http://screendancejournal.org/article/view/4908
work_keys_str_mv AT ruthmargaretway imaginedarchaeologyandenliveningtheproximatesensesintheconstructionofblindtorrentaninterdisciplinaryscreendanceproject
AT russelljamesframpton imaginedarchaeologyandenliveningtheproximatesensesintheconstructionofblindtorrentaninterdisciplinaryscreendanceproject
_version_ 1726001405864443904