Tourism and writers’ houses, in between places and literature

Literature can, in its material (books, writer’s house, etc.) as immaterial aspects (imaginary of places), be appropriated by stakeholders faor whom it is a resource which can contribute to the development of territories. In particular, the writer’s house, this meaningful place of memory, already in...

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Main Author: Aurore Bonniot-Mirloup
Format: Article
Language:deu
Published: Association Via@ 2017-07-01
Series:Via@
Subjects:
Online Access:http://journals.openedition.org/viatourism/808
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spelling doaj-9132eaf1b7ae4badb23d06d8919145b92021-02-09T20:32:04ZdeuAssociation Via@Via@2259-924X2017-07-01910.4000/viatourism.808Tourism and writers’ houses, in between places and literatureAurore Bonniot-MirloupLiterature can, in its material (books, writer’s house, etc.) as immaterial aspects (imaginary of places), be appropriated by stakeholders faor whom it is a resource which can contribute to the development of territories. In particular, the writer’s house, this meaningful place of memory, already invested by the history and literature specialists, also resonates with local authorities, which consider it as a heritage to be promoted, and a way to reinforce their territory’s attractiveness.As a testimony to the past, as a renowned as well as private house, the writer’s house merges times and spaces, imaginaries and private memories. It consists of a heterotopia, in that its levels of interpretation are numerous and can coexist.The objective of our research is to understand the meaning, or rather the variations in meaning of these writers’ houses, in their encounter with the imaginaries and the various and evolving tourism practices. By questioning the visitors about their expectations, as well as studying the guest books, we are exploring the range of perceptions and emotions of the visitor, which unveil a vast imaginary surrounding the writer’s house, thereby asserting its heterotopian nature. The tourism experience stems from the tri-partite relationship between the author, his or her works, and the places. This enriches the experience of the reception of the works and the overlook of the territory, through a dialectic back-and-forth process.http://journals.openedition.org/viatourism/808writer’s houseimaginary of placesliterary tourismguest booksexperience
collection DOAJ
language deu
format Article
sources DOAJ
author Aurore Bonniot-Mirloup
spellingShingle Aurore Bonniot-Mirloup
Tourism and writers’ houses, in between places and literature
Via@
writer’s house
imaginary of places
literary tourism
guest books
experience
author_facet Aurore Bonniot-Mirloup
author_sort Aurore Bonniot-Mirloup
title Tourism and writers’ houses, in between places and literature
title_short Tourism and writers’ houses, in between places and literature
title_full Tourism and writers’ houses, in between places and literature
title_fullStr Tourism and writers’ houses, in between places and literature
title_full_unstemmed Tourism and writers’ houses, in between places and literature
title_sort tourism and writers’ houses, in between places and literature
publisher Association Via@
series Via@
issn 2259-924X
publishDate 2017-07-01
description Literature can, in its material (books, writer’s house, etc.) as immaterial aspects (imaginary of places), be appropriated by stakeholders faor whom it is a resource which can contribute to the development of territories. In particular, the writer’s house, this meaningful place of memory, already invested by the history and literature specialists, also resonates with local authorities, which consider it as a heritage to be promoted, and a way to reinforce their territory’s attractiveness.As a testimony to the past, as a renowned as well as private house, the writer’s house merges times and spaces, imaginaries and private memories. It consists of a heterotopia, in that its levels of interpretation are numerous and can coexist.The objective of our research is to understand the meaning, or rather the variations in meaning of these writers’ houses, in their encounter with the imaginaries and the various and evolving tourism practices. By questioning the visitors about their expectations, as well as studying the guest books, we are exploring the range of perceptions and emotions of the visitor, which unveil a vast imaginary surrounding the writer’s house, thereby asserting its heterotopian nature. The tourism experience stems from the tri-partite relationship between the author, his or her works, and the places. This enriches the experience of the reception of the works and the overlook of the territory, through a dialectic back-and-forth process.
topic writer’s house
imaginary of places
literary tourism
guest books
experience
url http://journals.openedition.org/viatourism/808
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