Being and Cinema: beyond Time in Poetic Cinema

Since its origins, cinema makes an irruption into the world bringing a new reality that inserts itself into a changing social and cultural environment. Raising as an “art of the time” it contributes to the generation of a new perception development and a new aesthetic that brings a “state of encount...

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Main Author: Judith Sacal
Format: Article
Language:English
Published: Rosenberg & Sellier 2011-03-01
Series:Rivista di Estetica
Online Access:http://journals.openedition.org/estetica/1647
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spelling doaj-90a8d6de21f946b98dedc1c9b61765c72020-11-24T22:03:04ZengRosenberg & SellierRivista di Estetica0035-62122421-58642011-03-014615115410.4000/estetica.1647Being and Cinema: beyond Time in Poetic CinemaJudith SacalSince its origins, cinema makes an irruption into the world bringing a new reality that inserts itself into a changing social and cultural environment. Raising as an “art of the time” it contributes to the generation of a new perception development and a new aesthetic that brings a “state of encounter” that disrupts the usual relationship between the spectator and the visible while it emerges with a temporary space that interacts among the time experience. The present becomes a contracted past and the memory can be visualized. Cinema becomes an event with a revealing function that will always question its definition and concept.http://journals.openedition.org/estetica/1647
collection DOAJ
language English
format Article
sources DOAJ
author Judith Sacal
spellingShingle Judith Sacal
Being and Cinema: beyond Time in Poetic Cinema
Rivista di Estetica
author_facet Judith Sacal
author_sort Judith Sacal
title Being and Cinema: beyond Time in Poetic Cinema
title_short Being and Cinema: beyond Time in Poetic Cinema
title_full Being and Cinema: beyond Time in Poetic Cinema
title_fullStr Being and Cinema: beyond Time in Poetic Cinema
title_full_unstemmed Being and Cinema: beyond Time in Poetic Cinema
title_sort being and cinema: beyond time in poetic cinema
publisher Rosenberg & Sellier
series Rivista di Estetica
issn 0035-6212
2421-5864
publishDate 2011-03-01
description Since its origins, cinema makes an irruption into the world bringing a new reality that inserts itself into a changing social and cultural environment. Raising as an “art of the time” it contributes to the generation of a new perception development and a new aesthetic that brings a “state of encounter” that disrupts the usual relationship between the spectator and the visible while it emerges with a temporary space that interacts among the time experience. The present becomes a contracted past and the memory can be visualized. Cinema becomes an event with a revealing function that will always question its definition and concept.
url http://journals.openedition.org/estetica/1647
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