| Summary: | In this article I discuss the role of popular geopolitics and people's performative repertoires in voicing the social silence. I have selected for close-reading some of the episodes of the film Mother of Mine, which tells the story of a Finnish war child. In my analysis I ask what the transnational memory sites of forced displacement are, how they are depicted, and in general what kind of socio-spatial identity struggles they are involved in. Moreover, in this article I argue that the many forms through which silence becomes expressive need to be studied on the scale of the body and daily performative practices. Thus, I conclude that through several daily practices the Finnish war children unconsciously developed transnational agencies in order to survive and re-create the existential social and spatial ties of belonging.
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