„Práce, o kterou se pokoušíte,se vám ani v nejmenším nedaří“ Reflexe psaní v povídkách Karla Miloty
The article deals with three short stories from Karel Milota’s collection The Night of Mirrors (Noc zrcadel; 1981, rev. ed. 2005): the eponymous text, “Carol” (“Koleda”) and “Pastoral” (“Pastorála”). These second-person narratives foreground the character of the writer (or, in the case of the “Pasto...
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Univerzita Karlova, Filozofická Fakulta
2021-06-01
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doaj-8fd05b9e81884340a1dfed5ce43b74b82021-06-15T08:35:57ZcesUniverzita Karlova, Filozofická FakultaSvět Literatury0862-84402336-67292021-06-01311415810.14712/23366729.2021.1.3„Práce, o kterou se pokoušíte,se vám ani v nejmenším nedaří“ Reflexe psaní v povídkách Karla MilotyJosef Šebek 0Univerzita KarlovaThe article deals with three short stories from Karel Milota’s collection The Night of Mirrors (Noc zrcadel; 1981, rev. ed. 2005): the eponymous text, “Carol” (“Koleda”) and “Pastoral” (“Pastorála”). These second-person narratives foreground the character of the writer (or, in the case of the “Pastoral”, the composer) and the process of creation — or rather its failure. The argument presented in this article proceeds in three steps. First, it focuses on the unnatural narration and paradoxical narrative techniques, namely mise en abyme and ontological metalepsis. Next, it analyzes the representation of architectural space and “musicalisation” of fiction as basis for building literary atmospheres. Finally, it concentrates on the (self-) presentation of the writer and indistinct quality of literary and theoretical discourse in the stories. These three mutually related aspects persistently engage the reader’s cognitive and emotional faculties, and vividly stage the identity of the author and creative process.https://svetliteratury.ff.cuni.cz/wp-content/uploads/sites/14/2021/06/Josef_Sebek_41-58.pdfkarel milotawritingreaderunnatural narratologymise en abymemetalepsisliterary atmospheresauthorial self-presentation |
collection |
DOAJ |
language |
ces |
format |
Article |
sources |
DOAJ |
author |
Josef Šebek |
spellingShingle |
Josef Šebek „Práce, o kterou se pokoušíte,se vám ani v nejmenším nedaří“ Reflexe psaní v povídkách Karla Miloty Svět Literatury karel milota writing reader unnatural narratology mise en abyme metalepsis literary atmospheres authorial self-presentation |
author_facet |
Josef Šebek |
author_sort |
Josef Šebek |
title |
„Práce, o kterou se pokoušíte,se vám ani v nejmenším nedaří“ Reflexe psaní v povídkách Karla Miloty |
title_short |
„Práce, o kterou se pokoušíte,se vám ani v nejmenším nedaří“ Reflexe psaní v povídkách Karla Miloty |
title_full |
„Práce, o kterou se pokoušíte,se vám ani v nejmenším nedaří“ Reflexe psaní v povídkách Karla Miloty |
title_fullStr |
„Práce, o kterou se pokoušíte,se vám ani v nejmenším nedaří“ Reflexe psaní v povídkách Karla Miloty |
title_full_unstemmed |
„Práce, o kterou se pokoušíte,se vám ani v nejmenším nedaří“ Reflexe psaní v povídkách Karla Miloty |
title_sort |
„práce, o kterou se pokoušíte,se vám ani v nejmenším nedaří“ reflexe psaní v povídkách karla miloty |
publisher |
Univerzita Karlova, Filozofická Fakulta |
series |
Svět Literatury |
issn |
0862-8440 2336-6729 |
publishDate |
2021-06-01 |
description |
The article deals with three short stories from Karel Milota’s collection The Night of Mirrors (Noc zrcadel; 1981, rev. ed. 2005): the eponymous text, “Carol” (“Koleda”) and “Pastoral” (“Pastorála”). These second-person narratives foreground the character of the writer (or, in the case of the “Pastoral”, the composer) and the process of creation — or rather its failure. The argument presented in this article proceeds in three steps. First, it focuses on the unnatural narration and paradoxical narrative techniques, namely mise en abyme and ontological metalepsis. Next, it analyzes the representation of architectural space and “musicalisation” of fiction as basis for building literary atmospheres. Finally, it concentrates on the (self-) presentation of the writer and indistinct quality of literary and theoretical discourse in the stories. These three mutually related aspects persistently engage the reader’s cognitive and emotional faculties, and vividly stage the identity of the author and creative process. |
topic |
karel milota writing reader unnatural narratology mise en abyme metalepsis literary atmospheres authorial self-presentation |
url |
https://svetliteratury.ff.cuni.cz/wp-content/uploads/sites/14/2021/06/Josef_Sebek_41-58.pdf |
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