„Práce, o kterou se pokoušíte,se vám ani v nejmenším nedaří“ Reflexe psaní v povídkách Karla Miloty

The article deals with three short stories from Karel Milota’s collection The Night of Mirrors (Noc zrcadel; 1981, rev. ed. 2005): the eponymous text, “Carol” (“Koleda”) and “Pastoral” (“Pastorála”). These second-person narratives foreground the character of the writer (or, in the case of the “Pasto...

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Main Author: Josef Šebek
Format: Article
Language:ces
Published: Univerzita Karlova, Filozofická Fakulta 2021-06-01
Series:Svět Literatury
Subjects:
Online Access:https://svetliteratury.ff.cuni.cz/wp-content/uploads/sites/14/2021/06/Josef_Sebek_41-58.pdf
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spelling doaj-8fd05b9e81884340a1dfed5ce43b74b82021-06-15T08:35:57ZcesUniverzita Karlova, Filozofická FakultaSvět Literatury0862-84402336-67292021-06-01311415810.14712/23366729.2021.1.3„Práce, o kterou se pokoušíte,se vám ani v nejmenším nedaří“ Reflexe psaní v povídkách Karla MilotyJosef Šebek 0Univerzita KarlovaThe article deals with three short stories from Karel Milota’s collection The Night of Mirrors (Noc zrcadel; 1981, rev. ed. 2005): the eponymous text, “Carol” (“Koleda”) and “Pastoral” (“Pastorála”). These second-person narratives foreground the character of the writer (or, in the case of the “Pastoral”, the composer) and the process of creation — or rather its failure. The argument presented in this article proceeds in three steps. First, it focuses on the unnatural narration and paradoxical narrative techniques, namely mise en abyme and ontological metalepsis. Next, it analyzes the representation of architectural space and “musicalisation” of fiction as basis for building literary atmospheres. Finally, it concentrates on the (self-) presentation of the writer and indistinct quality of literary and theoretical discourse in the stories. These three mutually related aspects persistently engage the reader’s cognitive and emotional faculties, and vividly stage the identity of the author and creative process.https://svetliteratury.ff.cuni.cz/wp-content/uploads/sites/14/2021/06/Josef_Sebek_41-58.pdfkarel milotawritingreaderunnatural narratologymise en abymemetalepsisliterary atmospheresauthorial self-presentation
collection DOAJ
language ces
format Article
sources DOAJ
author Josef Šebek
spellingShingle Josef Šebek
„Práce, o kterou se pokoušíte,se vám ani v nejmenším nedaří“ Reflexe psaní v povídkách Karla Miloty
Svět Literatury
karel milota
writing
reader
unnatural narratology
mise en abyme
metalepsis
literary atmospheres
authorial self-presentation
author_facet Josef Šebek
author_sort Josef Šebek
title „Práce, o kterou se pokoušíte,se vám ani v nejmenším nedaří“ Reflexe psaní v povídkách Karla Miloty
title_short „Práce, o kterou se pokoušíte,se vám ani v nejmenším nedaří“ Reflexe psaní v povídkách Karla Miloty
title_full „Práce, o kterou se pokoušíte,se vám ani v nejmenším nedaří“ Reflexe psaní v povídkách Karla Miloty
title_fullStr „Práce, o kterou se pokoušíte,se vám ani v nejmenším nedaří“ Reflexe psaní v povídkách Karla Miloty
title_full_unstemmed „Práce, o kterou se pokoušíte,se vám ani v nejmenším nedaří“ Reflexe psaní v povídkách Karla Miloty
title_sort „práce, o kterou se pokoušíte,se vám ani v nejmenším nedaří“ reflexe psaní v povídkách karla miloty
publisher Univerzita Karlova, Filozofická Fakulta
series Svět Literatury
issn 0862-8440
2336-6729
publishDate 2021-06-01
description The article deals with three short stories from Karel Milota’s collection The Night of Mirrors (Noc zrcadel; 1981, rev. ed. 2005): the eponymous text, “Carol” (“Koleda”) and “Pastoral” (“Pastorála”). These second-person narratives foreground the character of the writer (or, in the case of the “Pastoral”, the composer) and the process of creation — or rather its failure. The argument presented in this article proceeds in three steps. First, it focuses on the unnatural narration and paradoxical narrative techniques, namely mise en abyme and ontological metalepsis. Next, it analyzes the representation of architectural space and “musicalisation” of fiction as basis for building literary atmospheres. Finally, it concentrates on the (self-) presentation of the writer and indistinct quality of literary and theoretical discourse in the stories. These three mutually related aspects persistently engage the reader’s cognitive and emotional faculties, and vividly stage the identity of the author and creative process.
topic karel milota
writing
reader
unnatural narratology
mise en abyme
metalepsis
literary atmospheres
authorial self-presentation
url https://svetliteratury.ff.cuni.cz/wp-content/uploads/sites/14/2021/06/Josef_Sebek_41-58.pdf
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