'O Chão é a Grande Pregunta': Non-Human Temporalities in Nuno Ramos

This essay argues that Nuno Ramos’s installations and writings represent a decisive intervention in current aesthetic debates on temporality and the non-human. Working on the unstable terrain between the living and the dead, the organic and the inorganic, the fossilized and the spectral, Ramos’s wor...

Full description

Bibliographic Details
Main Author: Gabriel Giorgi
Format: Article
Language:English
Published: American Portuguese Studies Association (APSA) 2017-12-01
Series:Journal of Lusophone Studies
Subjects:
Online Access:https://jls.apsa.us/index.php/jls/article/view/191
id doaj-8fb7ccddd3954396baf06eea7c29b8a9
record_format Article
spelling doaj-8fb7ccddd3954396baf06eea7c29b8a92020-11-24T21:28:32ZengAmerican Portuguese Studies Association (APSA)Journal of Lusophone Studies2469-48002017-12-012210.21471/jls.v2i2.191137'O Chão é a Grande Pregunta': Non-Human Temporalities in Nuno RamosGabriel Giorgi0New York UniversityThis essay argues that Nuno Ramos’s installations and writings represent a decisive intervention in current aesthetic debates on temporality and the non-human. Working on the unstable terrain between the living and the dead, the organic and the inorganic, the fossilized and the spectral, Ramos’s work sheds light on scales and frames that challenge the anthropocentric sensorium of our critical habits. By focusing on writings included in Cujo (1993) and Essaio Geral (2007), the essay analyzes how the configuration of such critical perspective in Ramos’s work interrogates and reformulates the ways in which memory and the political interface there where the very notion of life—the bios that articulates the biopolitical—is at stake.https://jls.apsa.us/index.php/jls/article/view/191Capitalocenetemporalitynon-humanaestheticsBrazilian Art
collection DOAJ
language English
format Article
sources DOAJ
author Gabriel Giorgi
spellingShingle Gabriel Giorgi
'O Chão é a Grande Pregunta': Non-Human Temporalities in Nuno Ramos
Journal of Lusophone Studies
Capitalocene
temporality
non-human
aesthetics
Brazilian Art
author_facet Gabriel Giorgi
author_sort Gabriel Giorgi
title 'O Chão é a Grande Pregunta': Non-Human Temporalities in Nuno Ramos
title_short 'O Chão é a Grande Pregunta': Non-Human Temporalities in Nuno Ramos
title_full 'O Chão é a Grande Pregunta': Non-Human Temporalities in Nuno Ramos
title_fullStr 'O Chão é a Grande Pregunta': Non-Human Temporalities in Nuno Ramos
title_full_unstemmed 'O Chão é a Grande Pregunta': Non-Human Temporalities in Nuno Ramos
title_sort 'o chão é a grande pregunta': non-human temporalities in nuno ramos
publisher American Portuguese Studies Association (APSA)
series Journal of Lusophone Studies
issn 2469-4800
publishDate 2017-12-01
description This essay argues that Nuno Ramos’s installations and writings represent a decisive intervention in current aesthetic debates on temporality and the non-human. Working on the unstable terrain between the living and the dead, the organic and the inorganic, the fossilized and the spectral, Ramos’s work sheds light on scales and frames that challenge the anthropocentric sensorium of our critical habits. By focusing on writings included in Cujo (1993) and Essaio Geral (2007), the essay analyzes how the configuration of such critical perspective in Ramos’s work interrogates and reformulates the ways in which memory and the political interface there where the very notion of life—the bios that articulates the biopolitical—is at stake.
topic Capitalocene
temporality
non-human
aesthetics
Brazilian Art
url https://jls.apsa.us/index.php/jls/article/view/191
work_keys_str_mv AT gabrielgiorgi ochaoeagrandepreguntanonhumantemporalitiesinnunoramos
_version_ 1725969968375267328