Xilografías de Diego Kunurana. ¿Propuesta pictórica del <i> Boletín Titikaka</i>?

Between 1927 and 1930, Demetrio Peralta Miranda (Puno, 1910 – Lima, 1971), under the pen name “Diego Kunurana”, published a series of woodcuts in the Boletín Titikaka, the famed Puno-based avant-garde Indigenista journal. The woodcuts remain the first recorded example of Kunurana´s work. Meanwhile,...

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Main Author: Christian Reynoso Torres
Format: Article
Language:English
Published: Università degli Studi di Cagliari 2018-01-01
Series:América Crítica
Online Access:https://ojs.unica.it/index.php/cisap/article/view/3191
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spelling doaj-8f86ab93b18b490daa0ecdb4e9e1d9672021-01-20T12:52:40ZengUniversità degli Studi di CagliariAmérica Crítica2532-67242018-01-011210.13125/américacrítica/31912286Xilografías de Diego Kunurana. ¿Propuesta pictórica del <i> Boletín Titikaka</i>?Christian Reynoso Torres0Pontificia Universidad Católica del Perú, Lima, Perù Between 1927 and 1930, Demetrio Peralta Miranda (Puno, 1910 – Lima, 1971), under the pen name “Diego Kunurana”, published a series of woodcuts in the Boletín Titikaka, the famed Puno-based avant-garde Indigenista journal. The woodcuts remain the first recorded example of Kunurana´s work. Meanwhile, the Boletín Titikaka, headed by Gamaliel Churata, leader of the Orkopata Group, proposed an ideological position which aimed to establishing a defined aesthetic for Native American art through articles and literatura essays. Thus, this article will address Kunurana´s woodcuts and attempt to establish a relationship between these and the graphical content of  Boletín Titikaka, looking forward to analyze if the former could be defined as the aesthetic expression of the latter. https://ojs.unica.it/index.php/cisap/article/view/3191
collection DOAJ
language English
format Article
sources DOAJ
author Christian Reynoso Torres
spellingShingle Christian Reynoso Torres
Xilografías de Diego Kunurana. ¿Propuesta pictórica del <i> Boletín Titikaka</i>?
América Crítica
author_facet Christian Reynoso Torres
author_sort Christian Reynoso Torres
title Xilografías de Diego Kunurana. ¿Propuesta pictórica del <i> Boletín Titikaka</i>?
title_short Xilografías de Diego Kunurana. ¿Propuesta pictórica del <i> Boletín Titikaka</i>?
title_full Xilografías de Diego Kunurana. ¿Propuesta pictórica del <i> Boletín Titikaka</i>?
title_fullStr Xilografías de Diego Kunurana. ¿Propuesta pictórica del <i> Boletín Titikaka</i>?
title_full_unstemmed Xilografías de Diego Kunurana. ¿Propuesta pictórica del <i> Boletín Titikaka</i>?
title_sort xilografías de diego kunurana. ¿propuesta pictórica del <i> boletín titikaka</i>?
publisher Università degli Studi di Cagliari
series América Crítica
issn 2532-6724
publishDate 2018-01-01
description Between 1927 and 1930, Demetrio Peralta Miranda (Puno, 1910 – Lima, 1971), under the pen name “Diego Kunurana”, published a series of woodcuts in the Boletín Titikaka, the famed Puno-based avant-garde Indigenista journal. The woodcuts remain the first recorded example of Kunurana´s work. Meanwhile, the Boletín Titikaka, headed by Gamaliel Churata, leader of the Orkopata Group, proposed an ideological position which aimed to establishing a defined aesthetic for Native American art through articles and literatura essays. Thus, this article will address Kunurana´s woodcuts and attempt to establish a relationship between these and the graphical content of  Boletín Titikaka, looking forward to analyze if the former could be defined as the aesthetic expression of the latter.
url https://ojs.unica.it/index.php/cisap/article/view/3191
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