Fenomen twórczości scenograficznej Mariana Bogusza
This article discusses selected set designs of Marian Bogusz (1920–1980), whose work is characterized by a predominance of unrealized projects. Bogusz’s artistic practice – designing, constructing, and exhibiting mockups – is juxtaposed with his clear views on the collective character of the work on...
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| Format: | Article |
| Language: | English |
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Institute of Art of the Polish Academy of Sciences
2021-04-01
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| Series: | Pamiętnik Teatralny |
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| Online Access: | https://czasopisma.ispan.pl/index.php/pt/article/view/622 |
| Summary: | This article discusses selected set designs of Marian Bogusz (1920–1980), whose work is characterized by a predominance of unrealized projects. Bogusz’s artistic practice – designing, constructing, and exhibiting mockups – is juxtaposed with his clear views on the collective character of the work on a theater production and on the set designer’s role in this process. In this context, Bogusz’s gesture of creating visual concepts for the dramatic texts that inspired him is presented as a kind of scenographic utopia. His spatial compositions and their unused artistic potential are discussed based on an analysis of three projects from 1957: Karel Čapek’s The White Disease and Mother, and Federico García Lorca’s Blood Wedding. |
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| ISSN: | 0031-0522 2658-2899 |