FICTIONAL WORLD OF THE MIDDLE AGES IN K. ISHIGURO’S NOVEL THE BURIED GIANT
The article considers the specific character of time and space, the problem of memory and oblivion in the latest novel by K. Ishiguro The Buried Giant (2015). The novel is placed into the broad context of a legendary history of Britain and to a certain extent into the context of the whole mankind’s...
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Perm State University
2017-10-01
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Online Access: | http://press.psu.ru/index.php/philology/article/view/117 |
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doaj-8f69ac28b4814420bd51a6d7dc605fd82020-11-24T21:33:48ZengPerm State UniversityVestnik Permskogo universiteta: Rossijskaâ i zarubežnaâ filologiâ2073-66812017-10-019210.17072/2037-6681-2017-2-97-107104FICTIONAL WORLD OF THE MIDDLE AGES IN K. ISHIGURO’S NOVEL THE BURIED GIANTТамара Львовна Селитрина (Tamara L. Selitrina)0Дилара Глимхановна Халикова (Dilara G. Khalikova)1Башкирский государственный педагогический университет им. М. АкмуллыУфимский государственный нефтяной технический университетThe article considers the specific character of time and space, the problem of memory and oblivion in the latest novel by K. Ishiguro The Buried Giant (2015). The novel is placed into the broad context of a legendary history of Britain and to a certain extent into the context of the whole mankind’s world. The paper analyzes the world view of a medieval man at the time when Christian ideology overlaid the thick stratum of mythological ideas. Much attention is paid to the image of Sir Gawain, the defender of Christian humanity, the idea being different from the interpretation of the famous Arthurian Romances focused on love enticements of the knight of the Round Table. It is emphasized that out of the three narrative elements establishing both the composition and the plot, the basic motif is travelling and wandering. This motif is associated with poetics and chronotope embedded in the perception of a mediaeval man as well as of our contemporary. The novel narrates about the complexity and entanglement of human destinies, solitude and repentance, memory and oblivion, love and forgiveness. Ishiguro turns to the global and at the same time personal issues of existence applying myths, stories and fantastic motifs. Being written for intellectuals, Ishiguro’s novel represents a kind of science fiction with a distinct historical background and approaches the genre of parable in its finale. It is concluded that Ishiguro’s work is the novel-admonition that fictionalizes the perception of history as of a lesson for future generations.http://press.psu.ru/index.php/philology/article/view/117Исигуропогребенный великансредневековая Британияхронотопфэнтезипамятьсэр ГавейнбриттысаксыПроскурнинхудожественный мир. |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Тамара Львовна Селитрина (Tamara L. Selitrina) Дилара Глимхановна Халикова (Dilara G. Khalikova) |
spellingShingle |
Тамара Львовна Селитрина (Tamara L. Selitrina) Дилара Глимхановна Халикова (Dilara G. Khalikova) FICTIONAL WORLD OF THE MIDDLE AGES IN K. ISHIGURO’S NOVEL THE BURIED GIANT Vestnik Permskogo universiteta: Rossijskaâ i zarubežnaâ filologiâ Исигуро погребенный великан средневековая Британия хронотоп фэнтези память сэр Гавейн бритты саксы Проскурнин художественный мир. |
author_facet |
Тамара Львовна Селитрина (Tamara L. Selitrina) Дилара Глимхановна Халикова (Dilara G. Khalikova) |
author_sort |
Тамара Львовна Селитрина (Tamara L. Selitrina) |
title |
FICTIONAL WORLD OF THE MIDDLE AGES IN K. ISHIGURO’S NOVEL THE BURIED GIANT |
title_short |
FICTIONAL WORLD OF THE MIDDLE AGES IN K. ISHIGURO’S NOVEL THE BURIED GIANT |
title_full |
FICTIONAL WORLD OF THE MIDDLE AGES IN K. ISHIGURO’S NOVEL THE BURIED GIANT |
title_fullStr |
FICTIONAL WORLD OF THE MIDDLE AGES IN K. ISHIGURO’S NOVEL THE BURIED GIANT |
title_full_unstemmed |
FICTIONAL WORLD OF THE MIDDLE AGES IN K. ISHIGURO’S NOVEL THE BURIED GIANT |
title_sort |
fictional world of the middle ages in k. ishiguro’s novel the buried giant |
publisher |
Perm State University |
series |
Vestnik Permskogo universiteta: Rossijskaâ i zarubežnaâ filologiâ |
issn |
2073-6681 |
publishDate |
2017-10-01 |
description |
The article considers the specific character of time and space, the problem of memory and oblivion in the latest novel by K. Ishiguro The Buried Giant (2015). The novel is placed into the broad context of a legendary history of Britain and to a certain extent into the context of the whole mankind’s world. The paper analyzes the world view of a medieval man at the time when Christian ideology overlaid the thick stratum of mythological ideas. Much attention is paid to the image of Sir Gawain, the defender of Christian humanity, the idea being different from the interpretation of the famous Arthurian Romances focused on love enticements of the knight of the Round Table. It is emphasized that out of the three narrative elements establishing both the composition and the plot, the basic motif is travelling and wandering. This motif is associated with poetics and chronotope embedded in the perception of a mediaeval man as well as of our contemporary. The novel narrates about the complexity and entanglement of human destinies, solitude and repentance, memory and oblivion, love and forgiveness. Ishiguro turns to the global and at the same time personal issues of existence applying myths, stories and fantastic motifs. Being written for intellectuals, Ishiguro’s novel represents a kind of science fiction with a distinct historical background and approaches the genre of parable in its finale. It is concluded that Ishiguro’s work is the novel-admonition that fictionalizes the perception of history as of a lesson for future generations. |
topic |
Исигуро погребенный великан средневековая Британия хронотоп фэнтези память сэр Гавейн бритты саксы Проскурнин художественный мир. |
url |
http://press.psu.ru/index.php/philology/article/view/117 |
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