A review of scene and sequence concepts

This research aims to review the concepts of scenes and sequences from the teachings of masters in screenwriting. This objective stems from a descriptive methodological perspective: we propose to study some elements of the communication process of cinema and television narrative through scenes and s...

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Main Author: Javier Figuero-Espadas
Format: Article
Language:English
Published: Universidad de Navarra 2019-03-01
Series:Communication & Society (Formerly Comunicación y Sociedad)
Subjects:
Online Access:https://www.unav.edu/publicaciones/revistas/index.php/communication-and-society/article/view/37829
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spelling doaj-8f1c68cbb1ae4d3f97335691a4753d4f2020-11-25T01:31:33ZengUniversidad de NavarraCommunication & Society (Formerly Comunicación y Sociedad)2386-78762019-03-0132126727710.15581/003.32.1.267-27733462A review of scene and sequence conceptsJavier Figuero-EspadasThis research aims to review the concepts of scenes and sequences from the teachings of masters in screenwriting. This objective stems from a descriptive methodological perspective: we propose to study some elements of the communication process of cinema and television narrative through scenes and sequences, defining both concepts and applying these notions to a particular audiovisual text through case analysis. Analysis will confirm that experts refer to the term scene for different realities, generating confusion among audiovisual narrative scholars. We propose a distinction of the term scene into two different concepts: the scene and the narrative scene, which, in fact, are two different parts. As far as the sequence notion is concerned, there is enough consensus regarding its constitutive nature, although there are interesting nuances among authors, some of whom emphasize the relevance of the central conflict, whilst others emphasize the completeness of the event in the sequence. Employing the case method, the theoretical notions studied here are applied to a Pilot episode of Breaking Bad, in order to contribute to the elucidation of the concepts, the object of this investigation, and verify the coherence of the proposal.https://www.unav.edu/publicaciones/revistas/index.php/communication-and-society/article/view/37829scenesequencenarrative structurebreaking badtv series.
collection DOAJ
language English
format Article
sources DOAJ
author Javier Figuero-Espadas
spellingShingle Javier Figuero-Espadas
A review of scene and sequence concepts
Communication & Society (Formerly Comunicación y Sociedad)
scene
sequence
narrative structure
breaking bad
tv series.
author_facet Javier Figuero-Espadas
author_sort Javier Figuero-Espadas
title A review of scene and sequence concepts
title_short A review of scene and sequence concepts
title_full A review of scene and sequence concepts
title_fullStr A review of scene and sequence concepts
title_full_unstemmed A review of scene and sequence concepts
title_sort review of scene and sequence concepts
publisher Universidad de Navarra
series Communication & Society (Formerly Comunicación y Sociedad)
issn 2386-7876
publishDate 2019-03-01
description This research aims to review the concepts of scenes and sequences from the teachings of masters in screenwriting. This objective stems from a descriptive methodological perspective: we propose to study some elements of the communication process of cinema and television narrative through scenes and sequences, defining both concepts and applying these notions to a particular audiovisual text through case analysis. Analysis will confirm that experts refer to the term scene for different realities, generating confusion among audiovisual narrative scholars. We propose a distinction of the term scene into two different concepts: the scene and the narrative scene, which, in fact, are two different parts. As far as the sequence notion is concerned, there is enough consensus regarding its constitutive nature, although there are interesting nuances among authors, some of whom emphasize the relevance of the central conflict, whilst others emphasize the completeness of the event in the sequence. Employing the case method, the theoretical notions studied here are applied to a Pilot episode of Breaking Bad, in order to contribute to the elucidation of the concepts, the object of this investigation, and verify the coherence of the proposal.
topic scene
sequence
narrative structure
breaking bad
tv series.
url https://www.unav.edu/publicaciones/revistas/index.php/communication-and-society/article/view/37829
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