A review of scene and sequence concepts
This research aims to review the concepts of scenes and sequences from the teachings of masters in screenwriting. This objective stems from a descriptive methodological perspective: we propose to study some elements of the communication process of cinema and television narrative through scenes and s...
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Universidad de Navarra
2019-03-01
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Series: | Communication & Society (Formerly Comunicación y Sociedad) |
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Online Access: | https://www.unav.edu/publicaciones/revistas/index.php/communication-and-society/article/view/37829 |
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doaj-8f1c68cbb1ae4d3f97335691a4753d4f2020-11-25T01:31:33ZengUniversidad de NavarraCommunication & Society (Formerly Comunicación y Sociedad)2386-78762019-03-0132126727710.15581/003.32.1.267-27733462A review of scene and sequence conceptsJavier Figuero-EspadasThis research aims to review the concepts of scenes and sequences from the teachings of masters in screenwriting. This objective stems from a descriptive methodological perspective: we propose to study some elements of the communication process of cinema and television narrative through scenes and sequences, defining both concepts and applying these notions to a particular audiovisual text through case analysis. Analysis will confirm that experts refer to the term scene for different realities, generating confusion among audiovisual narrative scholars. We propose a distinction of the term scene into two different concepts: the scene and the narrative scene, which, in fact, are two different parts. As far as the sequence notion is concerned, there is enough consensus regarding its constitutive nature, although there are interesting nuances among authors, some of whom emphasize the relevance of the central conflict, whilst others emphasize the completeness of the event in the sequence. Employing the case method, the theoretical notions studied here are applied to a Pilot episode of Breaking Bad, in order to contribute to the elucidation of the concepts, the object of this investigation, and verify the coherence of the proposal.https://www.unav.edu/publicaciones/revistas/index.php/communication-and-society/article/view/37829scenesequencenarrative structurebreaking badtv series. |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Javier Figuero-Espadas |
spellingShingle |
Javier Figuero-Espadas A review of scene and sequence concepts Communication & Society (Formerly Comunicación y Sociedad) scene sequence narrative structure breaking bad tv series. |
author_facet |
Javier Figuero-Espadas |
author_sort |
Javier Figuero-Espadas |
title |
A review of scene and sequence concepts |
title_short |
A review of scene and sequence concepts |
title_full |
A review of scene and sequence concepts |
title_fullStr |
A review of scene and sequence concepts |
title_full_unstemmed |
A review of scene and sequence concepts |
title_sort |
review of scene and sequence concepts |
publisher |
Universidad de Navarra |
series |
Communication & Society (Formerly Comunicación y Sociedad) |
issn |
2386-7876 |
publishDate |
2019-03-01 |
description |
This research aims to review the concepts of scenes and sequences from the teachings of masters in screenwriting. This objective stems from a descriptive methodological perspective: we propose to study some elements of the communication process of cinema and television narrative through scenes and sequences, defining both concepts and applying these notions to a particular audiovisual text through case analysis. Analysis will confirm that experts refer to the term scene for different realities, generating confusion among audiovisual narrative scholars. We propose a distinction of the term scene into two different concepts: the scene and the narrative scene, which, in fact, are two different parts. As far as the sequence notion is concerned, there is enough consensus regarding its constitutive nature, although there are interesting nuances among authors, some of whom emphasize the relevance of the central conflict, whilst others emphasize the completeness of the event in the sequence. Employing the case method, the theoretical notions studied here are applied to a Pilot episode of Breaking Bad, in order to contribute to the elucidation of the concepts, the object of this investigation, and verify the coherence of the proposal. |
topic |
scene sequence narrative structure breaking bad tv series. |
url |
https://www.unav.edu/publicaciones/revistas/index.php/communication-and-society/article/view/37829 |
work_keys_str_mv |
AT javierfigueroespadas areviewofsceneandsequenceconcepts AT javierfigueroespadas reviewofsceneandsequenceconcepts |
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