Gli artisti di Supports/Surfaces e l’esperienza del limite. Dalla decostruzione del quadro alla dialettica dello spazio

Gli artisti di Supports/Surfaces e l’esperienza del limite. Dalla decostruzione del quadro alla dialettica dello spazio

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<p>At the end of  the 1960s “Supports/Surfaces” artists start deconstructing paintings to jeopardize their representational qualities. Claude Viallat and Daniel Dezeuze, for example, process canvases and frames to highlight their phisical aspect as opposed to the illusionistic realm or represe...

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Bibliographic Details
Main Author: Luisa Giacobbe
Format: Article
Language:English
Published: Firenze University Press 2012-10-01
Series:Aisthesis
Subjects:
Supports/Surfaces
Deconstruction
Limit
Image
Form/Space
Online Access:http://www.fupress.net/index.php/aisthesis/article/view/11464
id doaj-8eff5d5a15f24ad2ba97f8e56d6ad56c
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spelling doaj-8eff5d5a15f24ad2ba97f8e56d6ad56c2020-11-25T00:26:24ZengFirenze University PressAisthesis2035-84662012-10-015210112210.13128/Aisthesis-1146410196Gli artisti di Supports/Surfaces e l’esperienza del limite. Dalla decostruzione del quadro alla dialettica dello spazioLuisa Giacobbe<p>At the end of  the 1960s “Supports/Surfaces” artists start deconstructing paintings to jeopardize their representational qualities. Claude Viallat and Daniel Dezeuze, for example, process canvases and frames to highlight their phisical aspect as opposed to the illusionistic realm or representation. This way polarities such as form/space and illusionistic space/real space start having a new, dialectic relationship.</p>http://www.fupress.net/index.php/aisthesis/article/view/11464Supports/SurfacesDeconstructionLimitImageForm/Space
collection DOAJ
language English
format Article
sources DOAJ
author Luisa Giacobbe
spellingShingle Luisa Giacobbe
Gli artisti di Supports/Surfaces e l’esperienza del limite. Dalla decostruzione del quadro alla dialettica dello spazio
Aisthesis
Supports/Surfaces
Deconstruction
Limit
Image
Form/Space
author_facet Luisa Giacobbe
author_sort Luisa Giacobbe
title Gli artisti di Supports/Surfaces e l’esperienza del limite. Dalla decostruzione del quadro alla dialettica dello spazio
title_short Gli artisti di Supports/Surfaces e l’esperienza del limite. Dalla decostruzione del quadro alla dialettica dello spazio
title_full Gli artisti di Supports/Surfaces e l’esperienza del limite. Dalla decostruzione del quadro alla dialettica dello spazio
title_fullStr Gli artisti di Supports/Surfaces e l’esperienza del limite. Dalla decostruzione del quadro alla dialettica dello spazio
title_full_unstemmed Gli artisti di Supports/Surfaces e l’esperienza del limite. Dalla decostruzione del quadro alla dialettica dello spazio
title_sort gli artisti di supports/surfaces e l’esperienza del limite. dalla decostruzione del quadro alla dialettica dello spazio
publisher Firenze University Press
series Aisthesis
issn 2035-8466
publishDate 2012-10-01
description <p>At the end of  the 1960s “Supports/Surfaces” artists start deconstructing paintings to jeopardize their representational qualities. Claude Viallat and Daniel Dezeuze, for example, process canvases and frames to highlight their phisical aspect as opposed to the illusionistic realm or representation. This way polarities such as form/space and illusionistic space/real space start having a new, dialectic relationship.</p>
topic Supports/Surfaces
Deconstruction
Limit
Image
Form/Space
url http://www.fupress.net/index.php/aisthesis/article/view/11464
work_keys_str_mv AT luisagiacobbe gliartistidisupportssurfaceselesperienzadellimitedalladecostruzionedelquadroalladialetticadellospazio
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