La problématique des encres ferro-galliques à travers l’observation d’un manuscrit musical non autographe du 18es

La problématique des encres ferro-galliques à travers l’observation d’un manuscrit musical non autographe du 18es

Through the examination of a not original manuscript of Telemann preserved in the library of the Royal Conservatory of Brussels (Sonata 3: flauto a beak, neck cembalo del violino Sigr: Telemann, 18th century manuscript, No. 7117), we shall develop these problems associated with damage caused by the...

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Bibliographic Details
Main Author: Tatiana Gersten
Format: Article
Language:English
Published: Association CeROArt 2010-11-01
Series:CeROArt : Conservation, Exposition, Restauration d'Objets d'Art
Subjects:
art
conservation
restoration
science
scientific analyses
Online Access:http://journals.openedition.org/ceroart/1698
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spelling doaj-8ef68b5c87ae48a9978249d0427c59d92020-11-24T21:10:48ZengAssociation CeROArtCeROArt : Conservation, Exposition, Restauration d'Objets d'Art1784-50922010-11-0110.4000/ceroart.1698La problématique des encres ferro-galliques à travers l’observation d’un manuscrit musical non autographe du 18esTatiana GerstenThrough the examination of a not original manuscript of Telemann preserved in the library of the Royal Conservatory of Brussels (Sonata 3: flauto a beak, neck cembalo del violino Sigr: Telemann, 18th century manuscript, No. 7117), we shall develop these problems associated with damage caused by the ink and the difficulties of treating this type of artefacts.http://journals.openedition.org/ceroart/1698artconservationrestorationsciencescientific analyses
collection DOAJ
language English
format Article
sources DOAJ
author Tatiana Gersten
spellingShingle Tatiana Gersten
La problématique des encres ferro-galliques à travers l’observation d’un manuscrit musical non autographe du 18es
CeROArt : Conservation, Exposition, Restauration d'Objets d'Art
art
conservation
restoration
science
scientific analyses
author_facet Tatiana Gersten
author_sort Tatiana Gersten
title La problématique des encres ferro-galliques à travers l’observation d’un manuscrit musical non autographe du 18es
title_short La problématique des encres ferro-galliques à travers l’observation d’un manuscrit musical non autographe du 18es
title_full La problématique des encres ferro-galliques à travers l’observation d’un manuscrit musical non autographe du 18es
title_fullStr La problématique des encres ferro-galliques à travers l’observation d’un manuscrit musical non autographe du 18es
title_full_unstemmed La problématique des encres ferro-galliques à travers l’observation d’un manuscrit musical non autographe du 18es
title_sort la problématique des encres ferro-galliques à travers l’observation d’un manuscrit musical non autographe du 18es
publisher Association CeROArt
series CeROArt : Conservation, Exposition, Restauration d'Objets d'Art
issn 1784-5092
publishDate 2010-11-01
description Through the examination of a not original manuscript of Telemann preserved in the library of the Royal Conservatory of Brussels (Sonata 3: flauto a beak, neck cembalo del violino Sigr: Telemann, 18th century manuscript, No. 7117), we shall develop these problems associated with damage caused by the ink and the difficulties of treating this type of artefacts.
topic art
conservation
restoration
science
scientific analyses
url http://journals.openedition.org/ceroart/1698
work_keys_str_mv AT tatianagersten laproblematiquedesencresferrogalliquesatraverslobservationdunmanuscritmusicalnonautographedu18es
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