On the carrying stream into the European mountain: Roots and routes of creative (Scottish) ethnology

Since 2016, a diverse network of academic researchers, creative practitioners and cultural activists has emerged in Scotland, keen to explore the potential of a “creative ethnology”. This is in part a response to the politico-cultural and wider intellectual climate in the aftermath of the referendum...

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Main Authors: Ullrich Kockel, Mairi McFadyen
Format: Article
Language:English
Published: Università degli Studi di Cagliari 2019-12-01
Series:Anuac
Online Access:http://ojs.unica.it/index.php/anuac/article/view/3667
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spelling doaj-8eb05166e52642c2b79a5ff23c74682a2020-11-25T01:07:48ZengUniversità degli Studi di CagliariAnuac2239-625X2019-12-018218921110.7340/anuac2239-625X-36672743On the carrying stream into the European mountain: Roots and routes of creative (Scottish) ethnologyUllrich Kockel0Mairi McFadyen1Heriot-Watt UniversityUniversity of EdinburghSince 2016, a diverse network of academic researchers, creative practitioners and cultural activists has emerged in Scotland, keen to explore the potential of a “creative ethnology”. This is in part a response to the politico-cultural and wider intellectual climate in the aftermath of the referendum on Scottish independence in 2014, and to ongoing debates in the arts and academia. As activists in this network, and ethnologists at almost opposite ends of our respective academic journeys, but who share similar perspectives and concerns, we reflect in this article on the margins and intersections of (European) ethnology in Scotland through mapping our personal trajectories in terms of geographical location, institutional contexts, research foci and methodological experimentation. Given limitations of space, we concentrate on aspects highlighting the specific contexts we have found ourselves living and working in, thus illustrating the positionality of (European) ethnology in Scotland through our individual trajectories in their relationality, rather than attempting a comprehensive account of the field. Our focus here is on that emerging “creative ethnology” and its potential contribution as non-hegemonic anthropologies are becoming increasingly recognized.http://ojs.unica.it/index.php/anuac/article/view/3667
collection DOAJ
language English
format Article
sources DOAJ
author Ullrich Kockel
Mairi McFadyen
spellingShingle Ullrich Kockel
Mairi McFadyen
On the carrying stream into the European mountain: Roots and routes of creative (Scottish) ethnology
Anuac
author_facet Ullrich Kockel
Mairi McFadyen
author_sort Ullrich Kockel
title On the carrying stream into the European mountain: Roots and routes of creative (Scottish) ethnology
title_short On the carrying stream into the European mountain: Roots and routes of creative (Scottish) ethnology
title_full On the carrying stream into the European mountain: Roots and routes of creative (Scottish) ethnology
title_fullStr On the carrying stream into the European mountain: Roots and routes of creative (Scottish) ethnology
title_full_unstemmed On the carrying stream into the European mountain: Roots and routes of creative (Scottish) ethnology
title_sort on the carrying stream into the european mountain: roots and routes of creative (scottish) ethnology
publisher Università degli Studi di Cagliari
series Anuac
issn 2239-625X
publishDate 2019-12-01
description Since 2016, a diverse network of academic researchers, creative practitioners and cultural activists has emerged in Scotland, keen to explore the potential of a “creative ethnology”. This is in part a response to the politico-cultural and wider intellectual climate in the aftermath of the referendum on Scottish independence in 2014, and to ongoing debates in the arts and academia. As activists in this network, and ethnologists at almost opposite ends of our respective academic journeys, but who share similar perspectives and concerns, we reflect in this article on the margins and intersections of (European) ethnology in Scotland through mapping our personal trajectories in terms of geographical location, institutional contexts, research foci and methodological experimentation. Given limitations of space, we concentrate on aspects highlighting the specific contexts we have found ourselves living and working in, thus illustrating the positionality of (European) ethnology in Scotland through our individual trajectories in their relationality, rather than attempting a comprehensive account of the field. Our focus here is on that emerging “creative ethnology” and its potential contribution as non-hegemonic anthropologies are becoming increasingly recognized.
url http://ojs.unica.it/index.php/anuac/article/view/3667
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