Production and perception of tone 3 focus in Mandarin Chinese

This study uses production and perception experiments to explore tone 3 focus in Mandarin Chinese. Overall, contrastive focus in Mandarin is clearly marked with increased duration, intensity, and pitch range: in the experiments, listeners identified focused syllables correctly more than 90% of the t...

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Main Authors: Yong-cheol Lee, Ting Wang, Mark Liberman
Format: Article
Language:English
Published: Frontiers Media S.A. 2016-07-01
Series:Frontiers in Psychology
Subjects:
Online Access:http://journal.frontiersin.org/Journal/10.3389/fpsyg.2016.01058/full
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spelling doaj-8ea2076105b2405ea295831c90fd97b12020-11-24T21:06:32ZengFrontiers Media S.A.Frontiers in Psychology1664-10782016-07-01710.3389/fpsyg.2016.01058175546Production and perception of tone 3 focus in Mandarin ChineseYong-cheol Lee0Ting Wang1Mark Liberman2Cheongju UniversitySchool of Foreign Languages, Tongji UniversityUniversity of PennsylvaniaThis study uses production and perception experiments to explore tone 3 focus in Mandarin Chinese. Overall, contrastive focus in Mandarin is clearly marked with increased duration, intensity, and pitch range: in the experiments, listeners identified focused syllables correctly more than 90% of the time. However, a tone 3 syllable offers a smaller capacity for pitch range expansion under focus, and also yields less intensity increase; in addition, local dissimilation increases the duration, intensity, and pitch range of adjacent syllables within the same phrase as a focused tone 3 syllable. As a result, tone 3 focus was less well identified by listeners (77.1%). We suggest that the relatively poor identification of tone 3 focus is due to the smaller capacity for pitch range expansion, the confusion from within-phrase local dissimilatory effects, and the relatively weak intensity of tone 3. This study demonstrates that even within a language where purely prosodic marking of focus is clear, the location of prosodic focus can be difficult to identify in certain circumstances. Our results underline the conclusion, established in other work, that prosodic marking of focus is not universal, but is expressed through the prosodic system of each language.http://journal.frontiersin.org/Journal/10.3389/fpsyg.2016.01058/fullProsodyCorrective focusTone 3pre-low raisingpost-low bouncing
collection DOAJ
language English
format Article
sources DOAJ
author Yong-cheol Lee
Ting Wang
Mark Liberman
spellingShingle Yong-cheol Lee
Ting Wang
Mark Liberman
Production and perception of tone 3 focus in Mandarin Chinese
Frontiers in Psychology
Prosody
Corrective focus
Tone 3
pre-low raising
post-low bouncing
author_facet Yong-cheol Lee
Ting Wang
Mark Liberman
author_sort Yong-cheol Lee
title Production and perception of tone 3 focus in Mandarin Chinese
title_short Production and perception of tone 3 focus in Mandarin Chinese
title_full Production and perception of tone 3 focus in Mandarin Chinese
title_fullStr Production and perception of tone 3 focus in Mandarin Chinese
title_full_unstemmed Production and perception of tone 3 focus in Mandarin Chinese
title_sort production and perception of tone 3 focus in mandarin chinese
publisher Frontiers Media S.A.
series Frontiers in Psychology
issn 1664-1078
publishDate 2016-07-01
description This study uses production and perception experiments to explore tone 3 focus in Mandarin Chinese. Overall, contrastive focus in Mandarin is clearly marked with increased duration, intensity, and pitch range: in the experiments, listeners identified focused syllables correctly more than 90% of the time. However, a tone 3 syllable offers a smaller capacity for pitch range expansion under focus, and also yields less intensity increase; in addition, local dissimilation increases the duration, intensity, and pitch range of adjacent syllables within the same phrase as a focused tone 3 syllable. As a result, tone 3 focus was less well identified by listeners (77.1%). We suggest that the relatively poor identification of tone 3 focus is due to the smaller capacity for pitch range expansion, the confusion from within-phrase local dissimilatory effects, and the relatively weak intensity of tone 3. This study demonstrates that even within a language where purely prosodic marking of focus is clear, the location of prosodic focus can be difficult to identify in certain circumstances. Our results underline the conclusion, established in other work, that prosodic marking of focus is not universal, but is expressed through the prosodic system of each language.
topic Prosody
Corrective focus
Tone 3
pre-low raising
post-low bouncing
url http://journal.frontiersin.org/Journal/10.3389/fpsyg.2016.01058/full
work_keys_str_mv AT yongcheollee productionandperceptionoftone3focusinmandarinchinese
AT tingwang productionandperceptionoftone3focusinmandarinchinese
AT markliberman productionandperceptionoftone3focusinmandarinchinese
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