Aerial perspectives, detours and discrete spaces. The archipelago of imaginary places from Ariosto to Calvino (and more)
The paper focuses on the dichotomy between places of memory and place of imaginary in Ludovico Ariosto’s Orlando furioso. The narration of exploded times and discrete worlds is provided through a reading by Italo Calvino across mental geometries, with hints to Franco Vaccari’s conceptual art and Luc...
Main Author: | |
---|---|
Format: | Article |
Language: | English |
Published: |
University of Bologna
2018-07-01
|
Series: | PsicoArt |
Subjects: | |
Online Access: | https://psicoart.unibo.it/article/view/8371 |
id |
doaj-8e86a3304a44437cb88f757cb44923c6 |
---|---|
record_format |
Article |
spelling |
doaj-8e86a3304a44437cb88f757cb44923c62020-11-25T01:46:55ZengUniversity of BolognaPsicoArt2038-61842018-07-018810.6092/issn.2038-6184/83717419Aerial perspectives, detours and discrete spaces. The archipelago of imaginary places from Ariosto to Calvino (and more)Lara De Lena0Università di BolognaThe paper focuses on the dichotomy between places of memory and place of imaginary in Ludovico Ariosto’s Orlando furioso. The narration of exploded times and discrete worlds is provided through a reading by Italo Calvino across mental geometries, with hints to Franco Vaccari’s conceptual art and Luca Ronconi’s television and theatre experimentations. The “aerial” perspective of the poem is compared to the nihilistic and introspective elsewhere in Invisible Citiesand its characters come alive, escaping and returning, as well as in the stories told by the Tarots in The Castle of Crossed Destinies.https://psicoart.unibo.it/article/view/8371Orlando furiosoCittà invisibiliLudovico AriostoItalo Calvinoluna |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Lara De Lena |
spellingShingle |
Lara De Lena Aerial perspectives, detours and discrete spaces. The archipelago of imaginary places from Ariosto to Calvino (and more) PsicoArt Orlando furioso Città invisibili Ludovico Ariosto Italo Calvino luna |
author_facet |
Lara De Lena |
author_sort |
Lara De Lena |
title |
Aerial perspectives, detours and discrete spaces. The archipelago of imaginary places from Ariosto to Calvino (and more) |
title_short |
Aerial perspectives, detours and discrete spaces. The archipelago of imaginary places from Ariosto to Calvino (and more) |
title_full |
Aerial perspectives, detours and discrete spaces. The archipelago of imaginary places from Ariosto to Calvino (and more) |
title_fullStr |
Aerial perspectives, detours and discrete spaces. The archipelago of imaginary places from Ariosto to Calvino (and more) |
title_full_unstemmed |
Aerial perspectives, detours and discrete spaces. The archipelago of imaginary places from Ariosto to Calvino (and more) |
title_sort |
aerial perspectives, detours and discrete spaces. the archipelago of imaginary places from ariosto to calvino (and more) |
publisher |
University of Bologna |
series |
PsicoArt |
issn |
2038-6184 |
publishDate |
2018-07-01 |
description |
The paper focuses on the dichotomy between places of memory and place of imaginary in Ludovico Ariosto’s Orlando furioso. The narration of exploded times and discrete worlds is provided through a reading by Italo Calvino across mental geometries, with hints to Franco Vaccari’s conceptual art and Luca Ronconi’s television and theatre experimentations. The “aerial” perspective of the poem is compared to the nihilistic and introspective elsewhere in Invisible Citiesand its characters come alive, escaping and returning, as well as in the stories told by the Tarots in The Castle of Crossed Destinies. |
topic |
Orlando furioso Città invisibili Ludovico Ariosto Italo Calvino luna |
url |
https://psicoart.unibo.it/article/view/8371 |
work_keys_str_mv |
AT laradelena aerialperspectivesdetoursanddiscretespacesthearchipelagoofimaginaryplacesfromariostotocalvinoandmore |
_version_ |
1725017240761270272 |