Shared aesthetic starting points?
Are there any theoretical resources – conceptual, lexical or argumentative ones – in the interdisciplinary debate on the evolutionary origins of the arts that can help us go beyond the traditional autonomistic conception of art, in favour of a more continuist and inclusive interpretation of human ar...
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doaj-8e068e95e8bd48f5a26cd5f5b43b533b2020-11-25T01:58:34ZengFirenze University PressAisthesis2035-84662015-05-0181Shared aesthetic starting points?Roberta DreonAre there any theoretical resources – conceptual, lexical or argumentative ones – in the interdisciplinary debate on the evolutionary origins of the arts that can help us go beyond the traditional autonomistic conception of art, in favour of a more continuist and inclusive interpretation of human artistic practices? The paper examines the different voices in the debate, against the background of a cultural naturalist attitude inspired by John Dewey, by focusing on those contributions which can be interpreted in non-reductionist, anti-foundationalist and pluralistic terms. What are particularly valuable are those positions emphasizing the phatic, communicative dimension of artifying behaviours in connection with the acute structural exposure of human organisms to their natural and naturally social environment.https://oajournals.fupress.net/index.php/aisthesis/article/view/858Aesthetic MindJohn DeweyEvolutionary aestheticsNaturalization |
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DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Roberta Dreon |
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Roberta Dreon Shared aesthetic starting points? Aisthesis Aesthetic Mind John Dewey Evolutionary aesthetics Naturalization |
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Roberta Dreon |
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Roberta Dreon |
title |
Shared aesthetic starting points? |
title_short |
Shared aesthetic starting points? |
title_full |
Shared aesthetic starting points? |
title_fullStr |
Shared aesthetic starting points? |
title_full_unstemmed |
Shared aesthetic starting points? |
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shared aesthetic starting points? |
publisher |
Firenze University Press |
series |
Aisthesis |
issn |
2035-8466 |
publishDate |
2015-05-01 |
description |
Are there any theoretical resources – conceptual, lexical or argumentative ones – in the interdisciplinary debate on the evolutionary origins of the arts that can help us go beyond the traditional autonomistic conception of art, in favour of a more continuist and inclusive interpretation of human artistic practices? The paper examines the different voices in the debate, against the background of a cultural naturalist attitude inspired by John Dewey, by focusing on those contributions which can be interpreted in non-reductionist, anti-foundationalist and pluralistic terms. What are particularly valuable are those positions emphasizing the phatic, communicative dimension of artifying behaviours in connection with the acute structural exposure of human organisms to their natural and naturally social environment. |
topic |
Aesthetic Mind John Dewey Evolutionary aesthetics Naturalization |
url |
https://oajournals.fupress.net/index.php/aisthesis/article/view/858 |
work_keys_str_mv |
AT robertadreon sharedaestheticstartingpoints |
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1724968857800540160 |