Three Women in a Garden. Alice Austen’s Pictures and the Paradox of Documentary Photography

That so very difficult question about “truth”, frequently posed in relation to both autobiographical artefacts and documentary photography, is no doubt the key query concerning Alice Austen’s whole oeuvre. Taking that question as a starting point for discussion, this article explores Austen’s autobi...

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Main Author: Estrella de Diego
Format: Article
Language:English
Published: Universidad Complutense de Madrid 2018-12-01
Series:Anales de Historia del Arte
Subjects:
Online Access:http://revistasculturales.ucm.es/index.php/ANHA/article/view/61609
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spelling doaj-8df9acf61586405dba035f3a06fea9472020-11-25T02:11:11ZengUniversidad Complutense de MadridAnales de Historia del Arte0214-64521988-24912018-12-0128014716210.5209/ANHA.6160955876Three Women in a Garden. Alice Austen’s Pictures and the Paradox of Documentary PhotographyEstrella de Diego0Universidad Complutense de Madrid. Departamento de Historia del ArteThat so very difficult question about “truth”, frequently posed in relation to both autobiographical artefacts and documentary photography, is no doubt the key query concerning Alice Austen’s whole oeuvre. Taking that question as a starting point for discussion, this article explores Austen’s autobiographical and documentary work as part of the same strategy, since Austen’s autobiographical photography “documents” the life of New Women and the class that she belonged to. But if her autobiographic production is documentary, why not consider her documentary work autobiographical? The article works on this hypothesis by engaging canonical autobiography texts and exploring how watching an event may mean becoming part of the event itself.http://revistasculturales.ucm.es/index.php/ANHA/article/view/61609alice austenfotografía documentalautobiografíanueva mujersiglo xixlesbianismofotografía documental colombianadaniela rosell.
collection DOAJ
language English
format Article
sources DOAJ
author Estrella de Diego
spellingShingle Estrella de Diego
Three Women in a Garden. Alice Austen’s Pictures and the Paradox of Documentary Photography
Anales de Historia del Arte
alice austen
fotografía documental
autobiografía
nueva mujer
siglo xix
lesbianismo
fotografía documental colombiana
daniela rosell.
author_facet Estrella de Diego
author_sort Estrella de Diego
title Three Women in a Garden. Alice Austen’s Pictures and the Paradox of Documentary Photography
title_short Three Women in a Garden. Alice Austen’s Pictures and the Paradox of Documentary Photography
title_full Three Women in a Garden. Alice Austen’s Pictures and the Paradox of Documentary Photography
title_fullStr Three Women in a Garden. Alice Austen’s Pictures and the Paradox of Documentary Photography
title_full_unstemmed Three Women in a Garden. Alice Austen’s Pictures and the Paradox of Documentary Photography
title_sort three women in a garden. alice austen’s pictures and the paradox of documentary photography
publisher Universidad Complutense de Madrid
series Anales de Historia del Arte
issn 0214-6452
1988-2491
publishDate 2018-12-01
description That so very difficult question about “truth”, frequently posed in relation to both autobiographical artefacts and documentary photography, is no doubt the key query concerning Alice Austen’s whole oeuvre. Taking that question as a starting point for discussion, this article explores Austen’s autobiographical and documentary work as part of the same strategy, since Austen’s autobiographical photography “documents” the life of New Women and the class that she belonged to. But if her autobiographic production is documentary, why not consider her documentary work autobiographical? The article works on this hypothesis by engaging canonical autobiography texts and exploring how watching an event may mean becoming part of the event itself.
topic alice austen
fotografía documental
autobiografía
nueva mujer
siglo xix
lesbianismo
fotografía documental colombiana
daniela rosell.
url http://revistasculturales.ucm.es/index.php/ANHA/article/view/61609
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