Summary: | This text raises the question of the lack of definition of editorial frameworks for the diffusion of films made by anthropologists. To this end, it examines four projection-receptions of the author’s film Des racines, une loi, dealing with the institutionalization of traditional medicine in Côte d’Ivoire. The aim is to show how a research film is perceived by different audiences, beyond the anthropological research issues that the anthropologist-video maker has chosen to put into images and sounds. The screenings in front of different audiences thus offer the starting point for an anthropo-filmic reflexive approach by looking at the receptions and even social uses of the film beyond the initial scientific project.
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