Deixe-o cantar
This paper aims to analyze the meanings created by the incorporation of pre-established characters in the discourses on the concept of national these discourses concern the process of naturalization the rock music in Brazil, a process which interpreted as a means to occur, as well as to question the...
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| Format: | Article |
| Language: | Portuguese |
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Universidade Federal de Santa Catarina
2008-07-01
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| Series: | Anuário de Literatura |
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| Online Access: | https://periodicos.ufsc.br/index.php/literatura/article/view/5452 |
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doaj-8db6f882b155412a8030165b3001cca0 |
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Article |
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doaj-8db6f882b155412a8030165b3001cca02020-11-24T23:24:24ZporUniversidade Federal de Santa CatarinaAnuário de Literatura1414-52352175-79172008-07-01121210311710.5007/54524548Deixe-o cantarTiago Hermano BreunigThis paper aims to analyze the meanings created by the incorporation of pre-established characters in the discourses on the concept of national these discourses concern the process of naturalization the rock music in Brazil, a process which interpreted as a means to occur, as well as to question the classifying system of the Brazilian music. Therefore, this paper analysis the way in which Brazilian rock music — specially from Raul Seixas’s singularity — establishes a dialogue with the aspects which constitute Brazilian culture and national identity present on MPB (Brazilian Popular Music). This dialogue relativizes the dichotomy within Brazilian popular music — revealing its contradictions.https://periodicos.ufsc.br/index.php/literatura/article/view/5452Música Popular BrasileiraIdentidade NacionalCultura BrasileiraBrazilian popular musicNational identityBrazilian culture |
| collection |
DOAJ |
| language |
Portuguese |
| format |
Article |
| sources |
DOAJ |
| author |
Tiago Hermano Breunig |
| spellingShingle |
Tiago Hermano Breunig Deixe-o cantar Anuário de Literatura Música Popular Brasileira Identidade Nacional Cultura Brasileira Brazilian popular music National identity Brazilian culture |
| author_facet |
Tiago Hermano Breunig |
| author_sort |
Tiago Hermano Breunig |
| title |
Deixe-o cantar |
| title_short |
Deixe-o cantar |
| title_full |
Deixe-o cantar |
| title_fullStr |
Deixe-o cantar |
| title_full_unstemmed |
Deixe-o cantar |
| title_sort |
deixe-o cantar |
| publisher |
Universidade Federal de Santa Catarina |
| series |
Anuário de Literatura |
| issn |
1414-5235 2175-7917 |
| publishDate |
2008-07-01 |
| description |
This paper aims to analyze the meanings created by the incorporation of pre-established characters in the discourses on the concept of national these discourses concern the process of naturalization the rock music in Brazil, a process which interpreted as a means to occur, as well as to question the classifying system of the Brazilian music. Therefore, this paper analysis the way in which Brazilian rock music — specially from Raul Seixas’s singularity — establishes a dialogue with the aspects which constitute Brazilian culture and national identity present on MPB (Brazilian Popular Music). This dialogue relativizes the dichotomy within Brazilian popular music — revealing its contradictions. |
| topic |
Música Popular Brasileira Identidade Nacional Cultura Brasileira Brazilian popular music National identity Brazilian culture |
| url |
https://periodicos.ufsc.br/index.php/literatura/article/view/5452 |
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AT tiagohermanobreunig deixeocantar |
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