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This paper aims to analyze the meanings created by the incorporation of pre-established characters in the discourses on the concept of national these discourses concern the process of naturalization the rock music in Brazil, a process which interpreted as a means to occur, as well as to question the...
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| Format: | Article |
| Language: | Portuguese |
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Universidade Federal de Santa Catarina
2008-07-01
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| Series: | Anuário de Literatura |
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| Online Access: | https://periodicos.ufsc.br/index.php/literatura/article/view/5452 |
| Summary: | This paper aims to analyze the meanings created by the incorporation of pre-established characters in the discourses on the concept of national these discourses concern the process of naturalization the rock music in Brazil, a process which interpreted as a means to occur, as well as to question the classifying system of the Brazilian music. Therefore, this paper analysis the way in which Brazilian rock music — specially from Raul Seixas’s singularity — establishes a dialogue with the aspects which constitute Brazilian culture and national identity present on MPB (Brazilian Popular Music). This dialogue relativizes the dichotomy within Brazilian popular music — revealing its contradictions. |
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| ISSN: | 1414-5235 2175-7917 |