Drammaturgia di macchine nel teatro granducale fiorentino. Il teatro degli Uffizi da Buontalenti ai Parigi

<p>The essay covers the great Florentine representations of XVIth and XVIIth century, finding a common denominator (beyond the self-celebratory value) in the ‘virtuosity’ of the machinery, which soon exceeds the textual dramaturgy. This one, in fact, serves a peculiar ‘dramaturgy of the machin...

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Bibliographic Details
Main Author: Sara Mamone
Format: Article
Language:English
Published: Firenze University Press 2016-06-01
Series:Drammaturgia
Subjects:
Online Access:http://www.fupress.net/index.php/drammaturgia/article/view/18359
Description
Summary:<p>The essay covers the great Florentine representations of XVIth and XVIIth century, finding a common denominator (beyond the self-celebratory value) in the ‘virtuosity’ of the machinery, which soon exceeds the textual dramaturgy. This one, in fact, serves a peculiar ‘dramaturgy of the machines’, which become mythopoetic, bending the poetic invention to their own needs. Through a precise and detailed series of comparisons between the various episodes, here the history of the Medici’s spectacle is examined following a possible craft and engineering interpretation, precisely showing how the reutilization of the technological heritage conditioned the entirety of the spectacle.</p>
ISSN:1122-9365
2283-5644