Reception of the Atreides’ myth in “Mourning becomes Electra” trilogy by O’Neill

The article analyses the cultural dialogue of antiquity and modernity on the example of the Atreides’ myth in the trilogy of the American writer Eugene O’Neill. The author of the article studies the writer’s desire to show the spiritual crisis of modernity by analogy with the ancient story. The Amer...

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Main Author: Samoylova Marya Pavlovna
Format: Article
Language:English
Published: Institute of Modern Humanitarian Researches 2020-10-01
Series:Studia Humanitatis
Subjects:
Online Access:http://st-hum.ru/en/node/954/
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spelling doaj-8d6ff1a1c39940fdbc839948b20d410a2020-11-25T04:03:15ZengInstitute of Modern Humanitarian ResearchesStudia Humanitatis2308-80792020-10-01310.24411/2308-8079-2020-00009Reception of the Atreides’ myth in “Mourning becomes Electra” trilogy by O’NeillSamoylova Marya Pavlovna0Nizhny Novgorod State Linguistic University named after N.A. Dobrolyubov (Nizhny Novgorod, Russia)The article analyses the cultural dialogue of antiquity and modernity on the example of the Atreides’ myth in the trilogy of the American writer Eugene O’Neill. The author of the article studies the writer’s desire to show the spiritual crisis of modernity by analogy with the ancient story. The American version of the reception of antiquity in art culture is a transfer of the ancient plot to the modern author of the trilogy of reality and endowing modern Americans with the features of ancient heroes. The reception of antiquity performed by an American playwright of the 20th century allows us to see changes in the system of values of Western civilization, namely the contradiction in it between the need for love and freedom and social pressure.http://st-hum.ru/en/node/954/receptionthe myth of the atreidesantiquitymodernity
collection DOAJ
language English
format Article
sources DOAJ
author Samoylova Marya Pavlovna
spellingShingle Samoylova Marya Pavlovna
Reception of the Atreides’ myth in “Mourning becomes Electra” trilogy by O’Neill
Studia Humanitatis
reception
the myth of the atreides
antiquity
modernity
author_facet Samoylova Marya Pavlovna
author_sort Samoylova Marya Pavlovna
title Reception of the Atreides’ myth in “Mourning becomes Electra” trilogy by O’Neill
title_short Reception of the Atreides’ myth in “Mourning becomes Electra” trilogy by O’Neill
title_full Reception of the Atreides’ myth in “Mourning becomes Electra” trilogy by O’Neill
title_fullStr Reception of the Atreides’ myth in “Mourning becomes Electra” trilogy by O’Neill
title_full_unstemmed Reception of the Atreides’ myth in “Mourning becomes Electra” trilogy by O’Neill
title_sort reception of the atreides’ myth in “mourning becomes electra” trilogy by o’neill
publisher Institute of Modern Humanitarian Researches
series Studia Humanitatis
issn 2308-8079
publishDate 2020-10-01
description The article analyses the cultural dialogue of antiquity and modernity on the example of the Atreides’ myth in the trilogy of the American writer Eugene O’Neill. The author of the article studies the writer’s desire to show the spiritual crisis of modernity by analogy with the ancient story. The American version of the reception of antiquity in art culture is a transfer of the ancient plot to the modern author of the trilogy of reality and endowing modern Americans with the features of ancient heroes. The reception of antiquity performed by an American playwright of the 20th century allows us to see changes in the system of values of Western civilization, namely the contradiction in it between the need for love and freedom and social pressure.
topic reception
the myth of the atreides
antiquity
modernity
url http://st-hum.ru/en/node/954/
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