Reception of the Atreides’ myth in “Mourning becomes Electra” trilogy by O’Neill
The article analyses the cultural dialogue of antiquity and modernity on the example of the Atreides’ myth in the trilogy of the American writer Eugene O’Neill. The author of the article studies the writer’s desire to show the spiritual crisis of modernity by analogy with the ancient story. The Amer...
Main Author: | |
---|---|
Format: | Article |
Language: | English |
Published: |
Institute of Modern Humanitarian Researches
2020-10-01
|
Series: | Studia Humanitatis |
Subjects: | |
Online Access: | http://st-hum.ru/en/node/954/ |
id |
doaj-8d6ff1a1c39940fdbc839948b20d410a |
---|---|
record_format |
Article |
spelling |
doaj-8d6ff1a1c39940fdbc839948b20d410a2020-11-25T04:03:15ZengInstitute of Modern Humanitarian ResearchesStudia Humanitatis2308-80792020-10-01310.24411/2308-8079-2020-00009Reception of the Atreides’ myth in “Mourning becomes Electra” trilogy by O’NeillSamoylova Marya Pavlovna0Nizhny Novgorod State Linguistic University named after N.A. Dobrolyubov (Nizhny Novgorod, Russia)The article analyses the cultural dialogue of antiquity and modernity on the example of the Atreides’ myth in the trilogy of the American writer Eugene O’Neill. The author of the article studies the writer’s desire to show the spiritual crisis of modernity by analogy with the ancient story. The American version of the reception of antiquity in art culture is a transfer of the ancient plot to the modern author of the trilogy of reality and endowing modern Americans with the features of ancient heroes. The reception of antiquity performed by an American playwright of the 20th century allows us to see changes in the system of values of Western civilization, namely the contradiction in it between the need for love and freedom and social pressure.http://st-hum.ru/en/node/954/receptionthe myth of the atreidesantiquitymodernity |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Samoylova Marya Pavlovna |
spellingShingle |
Samoylova Marya Pavlovna Reception of the Atreides’ myth in “Mourning becomes Electra” trilogy by O’Neill Studia Humanitatis reception the myth of the atreides antiquity modernity |
author_facet |
Samoylova Marya Pavlovna |
author_sort |
Samoylova Marya Pavlovna |
title |
Reception of the Atreides’ myth in “Mourning becomes Electra” trilogy by O’Neill |
title_short |
Reception of the Atreides’ myth in “Mourning becomes Electra” trilogy by O’Neill |
title_full |
Reception of the Atreides’ myth in “Mourning becomes Electra” trilogy by O’Neill |
title_fullStr |
Reception of the Atreides’ myth in “Mourning becomes Electra” trilogy by O’Neill |
title_full_unstemmed |
Reception of the Atreides’ myth in “Mourning becomes Electra” trilogy by O’Neill |
title_sort |
reception of the atreides’ myth in “mourning becomes electra” trilogy by o’neill |
publisher |
Institute of Modern Humanitarian Researches |
series |
Studia Humanitatis |
issn |
2308-8079 |
publishDate |
2020-10-01 |
description |
The article analyses the cultural dialogue of antiquity and modernity on the example of the Atreides’ myth in the trilogy of the American writer Eugene O’Neill. The author of the article studies the writer’s desire to show the spiritual crisis of modernity by analogy with the ancient story. The American version of the reception of antiquity in art culture is a transfer of the ancient plot to the modern author of the trilogy of reality and endowing modern Americans with the features of ancient heroes. The reception of antiquity performed by an American playwright of the 20th century allows us to see changes in the system of values of Western civilization, namely the contradiction in it between the need for love and freedom and social pressure. |
topic |
reception the myth of the atreides antiquity modernity |
url |
http://st-hum.ru/en/node/954/ |
work_keys_str_mv |
AT samoylovamaryapavlovna receptionoftheatreidesmythinmourningbecomeselectratrilogybyoneill |
_version_ |
1724440993795670016 |