A Process Evaluation of a Performance Psychology Intervention for Transitioning Elite and Elite Musicians
The present study presents a process evaluation of a performance psychology intervention for transitioning elite and elite musicians. The goal of the intervention was to provide participants with an amalgamation of evidence-informed principles, aimed to improve their quality of practice and performa...
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doaj-8d39cbc6b3724a6eba3a37a7bbd4e8052020-11-25T02:37:38ZengFrontiers Media S.A.Frontiers in Psychology1664-10782020-05-011110.3389/fpsyg.2020.01090536413A Process Evaluation of a Performance Psychology Intervention for Transitioning Elite and Elite MusiciansJolan Kegelaers0Jolan Kegelaers1Raôul R. D. Oudejans2Raôul R. D. Oudejans3Faculty of Sports and Nutrition, Amsterdam University of Applied Sciences, Amsterdam, NetherlandsFaculty of Psychology and Educational Sciences, Vrije Universiteit Brussel, Brussels, BelgiumFaculty of Sports and Nutrition, Amsterdam University of Applied Sciences, Amsterdam, NetherlandsDepartment of Human Movement Sciences, Amsterdam Movement Sciences, Institute for Brain and Behaviour Amsterdam, Vrije Universiteit Amsterdam, Amsterdam, NetherlandsThe present study presents a process evaluation of a performance psychology intervention for transitioning elite and elite musicians. The goal of the intervention was to provide participants with an amalgamation of evidence-informed principles, aimed to improve their quality of practice and performance preparation. The intervention consisted of an educational session followed by four workshops. In total, eight transitioning elite and seven elite musicians participated. Process measures included quantitative and qualitative workshop evaluations, monitoring logs, and semi-structured interviews. Overall, the intervention was evaluated positively by the participants. However, differences were present between the groups, with the elite musicians typically evaluating the intervention more favorably compared to the transitioning elites. Specific positive outcomes included an increased awareness and re-examining of current practice strategies, more structured and goal-directed practice, increased practice efficiency and focus, a more proactive approach to performances, and increased attention for the physical aspects of playing. Moreover, a number of contextual considerations and implementation challenges became evident. Important implications for performance psychology interventions and practitioners in music are discussed.https://www.frontiersin.org/article/10.3389/fpsyg.2020.01090/fulldeliberate practicefocus of attentionimageryimplementation researchperforming under pressureself-regulation |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Jolan Kegelaers Jolan Kegelaers Raôul R. D. Oudejans Raôul R. D. Oudejans |
spellingShingle |
Jolan Kegelaers Jolan Kegelaers Raôul R. D. Oudejans Raôul R. D. Oudejans A Process Evaluation of a Performance Psychology Intervention for Transitioning Elite and Elite Musicians Frontiers in Psychology deliberate practice focus of attention imagery implementation research performing under pressure self-regulation |
author_facet |
Jolan Kegelaers Jolan Kegelaers Raôul R. D. Oudejans Raôul R. D. Oudejans |
author_sort |
Jolan Kegelaers |
title |
A Process Evaluation of a Performance Psychology Intervention for Transitioning Elite and Elite Musicians |
title_short |
A Process Evaluation of a Performance Psychology Intervention for Transitioning Elite and Elite Musicians |
title_full |
A Process Evaluation of a Performance Psychology Intervention for Transitioning Elite and Elite Musicians |
title_fullStr |
A Process Evaluation of a Performance Psychology Intervention for Transitioning Elite and Elite Musicians |
title_full_unstemmed |
A Process Evaluation of a Performance Psychology Intervention for Transitioning Elite and Elite Musicians |
title_sort |
process evaluation of a performance psychology intervention for transitioning elite and elite musicians |
publisher |
Frontiers Media S.A. |
series |
Frontiers in Psychology |
issn |
1664-1078 |
publishDate |
2020-05-01 |
description |
The present study presents a process evaluation of a performance psychology intervention for transitioning elite and elite musicians. The goal of the intervention was to provide participants with an amalgamation of evidence-informed principles, aimed to improve their quality of practice and performance preparation. The intervention consisted of an educational session followed by four workshops. In total, eight transitioning elite and seven elite musicians participated. Process measures included quantitative and qualitative workshop evaluations, monitoring logs, and semi-structured interviews. Overall, the intervention was evaluated positively by the participants. However, differences were present between the groups, with the elite musicians typically evaluating the intervention more favorably compared to the transitioning elites. Specific positive outcomes included an increased awareness and re-examining of current practice strategies, more structured and goal-directed practice, increased practice efficiency and focus, a more proactive approach to performances, and increased attention for the physical aspects of playing. Moreover, a number of contextual considerations and implementation challenges became evident. Important implications for performance psychology interventions and practitioners in music are discussed. |
topic |
deliberate practice focus of attention imagery implementation research performing under pressure self-regulation |
url |
https://www.frontiersin.org/article/10.3389/fpsyg.2020.01090/full |
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