| Summary: | Based on the books by O. Bogdanova, L. Frizman, and others, the article under studies deals with the issue of the modifications of the genre of view due to the upgrade of scientific narrative in Russian and Ukrainian Literary Studies of the early XX century. The order of the monographs, for their genre analysis, may be substantiated by two factors: 1) the genre of view is the term, introduced by the authors – a) directly (O. Bogdanova, L. Frizman), b) the choice has been stipulated by the fact that the genre of O. Bogdanova’s and L. Frizman’s monographs is defined as view by their authors, whereas in the works by E. Vasyliev, B. Egorova, and V. Musiy its genre features are distinctly revealed as a discourse; 2) the genre of view is determined – a) by the presence of genre signs in the very discourse (E. M. Vasyliev, T. Hundorova, B. F. Egorov, I. V. Kozlyk, V. B. Musiy, A. A. Stepanova and others), b) implicitly (S. M. Koznacheev). Particular emphasis has been laid on the association of critics with human experience (M. Mamardashvili), as well as on the enhancement of personal vision that absorbs the respective experience of a generation. It is essential that, for example, T. Hundorova presents the author’s ego in the form of a philosopher comprehending the post-Chornobyl literary-philosophical world perception.
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