Diversifying MIR: Knowledge and Real-World Challenges, and New Interdisciplinary Futures

Challenges of diversity are being raised around the world, for example in response to #MeToo and Black Lives Matter. Against this background, this article, adapted from a keynote lecture to the 20th ISMIR conference, asks how MIR can refresh itself and its endeavours, scholarly and real world, by ad...

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Main Author: Georgina Born
Format: Article
Language:English
Published: Ubiquity Press 2020-10-01
Series:Transactions of the International Society for Music Information Retrieval
Subjects:
mir
Online Access:https://transactions.ismir.net/articles/58
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spelling doaj-8cfb389aed71478fa4ceba6c7960dd802020-11-25T04:03:51ZengUbiquity PressTransactions of the International Society for Music Information Retrieval2514-32982020-10-013110.5334/tismir.5834Diversifying MIR: Knowledge and Real-World Challenges, and New Interdisciplinary FuturesGeorgina Born0Faculty of Music, University of Oxford, OxfordChallenges of diversity are being raised around the world, for example in response to #MeToo and Black Lives Matter. Against this background, this article, adapted from a keynote lecture to the 20th ISMIR conference, asks how MIR can refresh itself and its endeavours, scholarly and real world, by addressing diversity. It is written by an outsider, yet one who, as a music anthropologist, is intensely concerned with MIR and its influence. The focus is on elaborating auto-critiques that have emerged within the MIR community: social, cultural, epistemological and ethical matters to do with the diversity of the profession, of the music with which MIR engages, and of the kinds of knowledge produced. One theme is interdisciplinarity: how MIR would gain from closer dialogues with contemporary musicology, music anthropology and sociology. The article also considers how the ‘refresh’ might address MIR’s pursuit of research oriented to technological innovation, often linked to the drive for economic growth; concerns about sustainable economies, it argues, suggest the need for other values to guide future science and engineering. In this light, the article asks what computational music genre recognition or recommendation would look like if, under public-cultural or non-profit imperatives, the incentives driving them aimed to optimise imaginative self- or group development, pursuing not a logic of ‘similarity’ but diversity, or took human musical flourishing as their goals. The article closes by suggesting that the time is ripe in MIR for sustained interdisciplinary engagements in ways previously unseen.https://transactions.ismir.net/articles/58mirdiversityontologyinterdisciplinaritymusic sociologymusic anthropology
collection DOAJ
language English
format Article
sources DOAJ
author Georgina Born
spellingShingle Georgina Born
Diversifying MIR: Knowledge and Real-World Challenges, and New Interdisciplinary Futures
Transactions of the International Society for Music Information Retrieval
mir
diversity
ontology
interdisciplinarity
music sociology
music anthropology
author_facet Georgina Born
author_sort Georgina Born
title Diversifying MIR: Knowledge and Real-World Challenges, and New Interdisciplinary Futures
title_short Diversifying MIR: Knowledge and Real-World Challenges, and New Interdisciplinary Futures
title_full Diversifying MIR: Knowledge and Real-World Challenges, and New Interdisciplinary Futures
title_fullStr Diversifying MIR: Knowledge and Real-World Challenges, and New Interdisciplinary Futures
title_full_unstemmed Diversifying MIR: Knowledge and Real-World Challenges, and New Interdisciplinary Futures
title_sort diversifying mir: knowledge and real-world challenges, and new interdisciplinary futures
publisher Ubiquity Press
series Transactions of the International Society for Music Information Retrieval
issn 2514-3298
publishDate 2020-10-01
description Challenges of diversity are being raised around the world, for example in response to #MeToo and Black Lives Matter. Against this background, this article, adapted from a keynote lecture to the 20th ISMIR conference, asks how MIR can refresh itself and its endeavours, scholarly and real world, by addressing diversity. It is written by an outsider, yet one who, as a music anthropologist, is intensely concerned with MIR and its influence. The focus is on elaborating auto-critiques that have emerged within the MIR community: social, cultural, epistemological and ethical matters to do with the diversity of the profession, of the music with which MIR engages, and of the kinds of knowledge produced. One theme is interdisciplinarity: how MIR would gain from closer dialogues with contemporary musicology, music anthropology and sociology. The article also considers how the ‘refresh’ might address MIR’s pursuit of research oriented to technological innovation, often linked to the drive for economic growth; concerns about sustainable economies, it argues, suggest the need for other values to guide future science and engineering. In this light, the article asks what computational music genre recognition or recommendation would look like if, under public-cultural or non-profit imperatives, the incentives driving them aimed to optimise imaginative self- or group development, pursuing not a logic of ‘similarity’ but diversity, or took human musical flourishing as their goals. The article closes by suggesting that the time is ripe in MIR for sustained interdisciplinary engagements in ways previously unseen.
topic mir
diversity
ontology
interdisciplinarity
music sociology
music anthropology
url https://transactions.ismir.net/articles/58
work_keys_str_mv AT georginaborn diversifyingmirknowledgeandrealworldchallengesandnewinterdisciplinaryfutures
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