Authenticity of memory resists the word: city as a subject in Marguerite Duras’s works
This article analyses the «silence» as a part of audiovisual image in Hiroshima mon amour (film by Alain Resnais based on the script by Marguerite Duras). «Silence» is regarded as a communicative technic in its spatial, historical and rhetorical perspectives and dimensions.
| Main Author: | |
|---|---|
| Format: | Article |
| Language: | English |
| Published: |
Peoples’ Friendship University of Russia (RUDN University)
2015-12-01
|
| Series: | Polylinguality and Transcultural Practices |
| Subjects: | |
| Online Access: | http://journals.rudn.ru/polylinguality/article/viewFile/2291/1764 |
| id |
doaj-8cedbf5351fb493b91d88196e60aff07 |
|---|---|
| record_format |
Article |
| spelling |
doaj-8cedbf5351fb493b91d88196e60aff072020-11-25T00:39:15ZengPeoples’ Friendship University of Russia (RUDN University)Polylinguality and Transcultural Practices2618-897X2618-89882015-12-01011561632291Authenticity of memory resists the word: city as a subject in Marguerite Duras’s worksD V Shulyatyeva0Lomonosov Moscow State UniversityThis article analyses the «silence» as a part of audiovisual image in Hiroshima mon amour (film by Alain Resnais based on the script by Marguerite Duras). «Silence» is regarded as a communicative technic in its spatial, historical and rhetorical perspectives and dimensions.http://journals.rudn.ru/polylinguality/article/viewFile/2291/1764«silence» techniccinemaurban textDuras |
| collection |
DOAJ |
| language |
English |
| format |
Article |
| sources |
DOAJ |
| author |
D V Shulyatyeva |
| spellingShingle |
D V Shulyatyeva Authenticity of memory resists the word: city as a subject in Marguerite Duras’s works Polylinguality and Transcultural Practices «silence» technic cinema urban text Duras |
| author_facet |
D V Shulyatyeva |
| author_sort |
D V Shulyatyeva |
| title |
Authenticity of memory resists the word: city as a subject in Marguerite Duras’s works |
| title_short |
Authenticity of memory resists the word: city as a subject in Marguerite Duras’s works |
| title_full |
Authenticity of memory resists the word: city as a subject in Marguerite Duras’s works |
| title_fullStr |
Authenticity of memory resists the word: city as a subject in Marguerite Duras’s works |
| title_full_unstemmed |
Authenticity of memory resists the word: city as a subject in Marguerite Duras’s works |
| title_sort |
authenticity of memory resists the word: city as a subject in marguerite duras’s works |
| publisher |
Peoples’ Friendship University of Russia (RUDN University) |
| series |
Polylinguality and Transcultural Practices |
| issn |
2618-897X 2618-8988 |
| publishDate |
2015-12-01 |
| description |
This article analyses the «silence» as a part of audiovisual image in Hiroshima mon amour (film by Alain Resnais based on the script by Marguerite Duras). «Silence» is regarded as a communicative technic in its spatial, historical and rhetorical perspectives and dimensions. |
| topic |
«silence» technic cinema urban text Duras |
| url |
http://journals.rudn.ru/polylinguality/article/viewFile/2291/1764 |
| work_keys_str_mv |
AT dvshulyatyeva authenticityofmemoryresiststhewordcityasasubjectinmargueritedurassworks |
| _version_ |
1725294353028481024 |