Populism in Journalistic Photographs: Political Leaders in Venezuelan Newspaper Images

Former Venezuelan President Hugo Chávez was renowned for his media skills and public appearances. In this study, his visual media representations are compared to those of other politicians in a framework of populism. The data includes articles by two Venezuelan newspapers representing opposing polit...

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Bibliographic Details
Main Author: Virpi Salojarvi
Format: Article
Language:English
Published: Stockholm University Press 2019-04-01
Series:Iberoamericana: Nordic Journal of Latin American and Caribbean Studies
Subjects:
Online Access:https://www.iberoamericana.se/articles/439
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spelling doaj-8c932d146d664561b74a2a9b5e8987be2020-11-25T01:06:31ZengStockholm University PressIberoamericana: Nordic Journal of Latin American and Caribbean Studies2002-45092019-04-0148110.16993/iberoamericana.439400Populism in Journalistic Photographs: Political Leaders in Venezuelan Newspaper ImagesVirpi Salojarvi0University of HelsinkiFormer Venezuelan President Hugo Chávez was renowned for his media skills and public appearances. In this study, his visual media representations are compared to those of other politicians in a framework of populism. The data includes articles by two Venezuelan newspapers representing opposing political views, and is analysed using content analysis and visual rhetorical interpretation. The focus is on the ways in which the sense of belonging, including its affective aspects, are visually constructed in journalistic photographs. It was found that, as a signifier, Chávez was constructed using many different techniques in the government-leaning newspaper. In this way, the image of Chávez was constructed by depicting him as someone special and authentic, distinct from other politicians, powerful yet at one with the people at the same time, and both evincing and generating emotion. The anti-Chávez newspaper, on the other hand, depicted the opposition leader in a more traditional and less emotional way, and despite an arranged photo opportunity, the newspaper was able to put its own slant on the Chavista politicians. The article contributes to the scarce literature of visual aspects of Venezuelan politics under Chávez’s presidency, and understudied affective and performative dimensions of populism.https://www.iberoamericana.se/articles/439populismsignifiersantagonismjournalistic photographspolitical leadersVenezuela
collection DOAJ
language English
format Article
sources DOAJ
author Virpi Salojarvi
spellingShingle Virpi Salojarvi
Populism in Journalistic Photographs: Political Leaders in Venezuelan Newspaper Images
Iberoamericana: Nordic Journal of Latin American and Caribbean Studies
populism
signifiers
antagonism
journalistic photographs
political leaders
Venezuela
author_facet Virpi Salojarvi
author_sort Virpi Salojarvi
title Populism in Journalistic Photographs: Political Leaders in Venezuelan Newspaper Images
title_short Populism in Journalistic Photographs: Political Leaders in Venezuelan Newspaper Images
title_full Populism in Journalistic Photographs: Political Leaders in Venezuelan Newspaper Images
title_fullStr Populism in Journalistic Photographs: Political Leaders in Venezuelan Newspaper Images
title_full_unstemmed Populism in Journalistic Photographs: Political Leaders in Venezuelan Newspaper Images
title_sort populism in journalistic photographs: political leaders in venezuelan newspaper images
publisher Stockholm University Press
series Iberoamericana: Nordic Journal of Latin American and Caribbean Studies
issn 2002-4509
publishDate 2019-04-01
description Former Venezuelan President Hugo Chávez was renowned for his media skills and public appearances. In this study, his visual media representations are compared to those of other politicians in a framework of populism. The data includes articles by two Venezuelan newspapers representing opposing political views, and is analysed using content analysis and visual rhetorical interpretation. The focus is on the ways in which the sense of belonging, including its affective aspects, are visually constructed in journalistic photographs. It was found that, as a signifier, Chávez was constructed using many different techniques in the government-leaning newspaper. In this way, the image of Chávez was constructed by depicting him as someone special and authentic, distinct from other politicians, powerful yet at one with the people at the same time, and both evincing and generating emotion. The anti-Chávez newspaper, on the other hand, depicted the opposition leader in a more traditional and less emotional way, and despite an arranged photo opportunity, the newspaper was able to put its own slant on the Chavista politicians. The article contributes to the scarce literature of visual aspects of Venezuelan politics under Chávez’s presidency, and understudied affective and performative dimensions of populism.
topic populism
signifiers
antagonism
journalistic photographs
political leaders
Venezuela
url https://www.iberoamericana.se/articles/439
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