Desert ethics, myths of nature and novel form in the narratives of Ibrahim al-Koni

his broadly comparative essay contrasts environmentalism in the fiction in English translation of the Libyan writer, Ibrahim alKoni, with dominant trends in contemporary environmentalism. An analysis of three of the most ecocritically pertinent of the novels in English translation suggests that the...

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Main Author: FF Moolla
Format: Article
Language:Afrikaans
Published: Tydskrif vir Letterkunde Association 2015-12-01
Series:Tydskrif vir Letterkunde
Subjects:
Online Access:https://journals.assaf.org.za/index.php/tvl/article/view/714
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spelling doaj-8c67e214843e43ccaac6f026fee607262020-11-25T02:38:39ZafrTydskrif vir Letterkunde AssociationTydskrif vir Letterkunde0041-476X2309-90702015-12-0152210.4314/tvl.v52i2.12Desert ethics, myths of nature and novel form in the narratives of Ibrahim al-KoniFF Moolla0University of the Western Cape his broadly comparative essay contrasts environmentalism in the fiction in English translation of the Libyan writer, Ibrahim alKoni, with dominant trends in contemporary environmentalism. An analysis of three of the most ecocritically pertinent of the novels in English translation suggests that the natural world is viewed through the lens of the mythical, encompassing the religious worlds of both Tuareg animism, as well as monotheism represented by Islam and early Christianity. The novels to be considered are The Seven Veils of Seth, Anubis and The Bleeding of the Stone. Unlike environmental approaches which derive from the European Enlightenment of procedural rational disenchantment, human beings in Al-Koni’s work are accorded a place in the sacred order which allows non-parasitic modes of existence within the framework of a sacred law. This conviction is articulated most powerfully through the symbol of the desert which inspires all of Al-Koni’s work. The social and sacred desert ethic out of which Al-Koni’s fiction is forged, strains at the form of the novel, the genre which constitutes and is constituted by an immanent, individual vision of the world. As a consequence, Al-Koni’s narratives tend towards allegorical modes which highlight the radical complexity and simplicity of allegory. https://journals.assaf.org.za/index.php/tvl/article/view/714Allegorycomparative literaturedesert ethicsenvironmentalismIbrahim alKoniLibyan literature
collection DOAJ
language Afrikaans
format Article
sources DOAJ
author FF Moolla
spellingShingle FF Moolla
Desert ethics, myths of nature and novel form in the narratives of Ibrahim al-Koni
Tydskrif vir Letterkunde
Allegory
comparative literature
desert ethics
environmentalism
Ibrahim alKoni
Libyan literature
author_facet FF Moolla
author_sort FF Moolla
title Desert ethics, myths of nature and novel form in the narratives of Ibrahim al-Koni
title_short Desert ethics, myths of nature and novel form in the narratives of Ibrahim al-Koni
title_full Desert ethics, myths of nature and novel form in the narratives of Ibrahim al-Koni
title_fullStr Desert ethics, myths of nature and novel form in the narratives of Ibrahim al-Koni
title_full_unstemmed Desert ethics, myths of nature and novel form in the narratives of Ibrahim al-Koni
title_sort desert ethics, myths of nature and novel form in the narratives of ibrahim al-koni
publisher Tydskrif vir Letterkunde Association
series Tydskrif vir Letterkunde
issn 0041-476X
2309-9070
publishDate 2015-12-01
description his broadly comparative essay contrasts environmentalism in the fiction in English translation of the Libyan writer, Ibrahim alKoni, with dominant trends in contemporary environmentalism. An analysis of three of the most ecocritically pertinent of the novels in English translation suggests that the natural world is viewed through the lens of the mythical, encompassing the religious worlds of both Tuareg animism, as well as monotheism represented by Islam and early Christianity. The novels to be considered are The Seven Veils of Seth, Anubis and The Bleeding of the Stone. Unlike environmental approaches which derive from the European Enlightenment of procedural rational disenchantment, human beings in Al-Koni’s work are accorded a place in the sacred order which allows non-parasitic modes of existence within the framework of a sacred law. This conviction is articulated most powerfully through the symbol of the desert which inspires all of Al-Koni’s work. The social and sacred desert ethic out of which Al-Koni’s fiction is forged, strains at the form of the novel, the genre which constitutes and is constituted by an immanent, individual vision of the world. As a consequence, Al-Koni’s narratives tend towards allegorical modes which highlight the radical complexity and simplicity of allegory.
topic Allegory
comparative literature
desert ethics
environmentalism
Ibrahim alKoni
Libyan literature
url https://journals.assaf.org.za/index.php/tvl/article/view/714
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