Robert Hooke and Holland: Dutch influence on his architecture

This paper describes briefly the development of classicism in England and the Netherlands, the cross-fertilization which took place between the two countries in the 17th century and the introduction of Dutch classicism into England with Hugh May's Eltham Lodge. After considering Robert Hooke...

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Main Author: Allison Stoesser-Johnston
Format: Article
Language:English
Published: KNOB 2000-08-01
Series:Bulletin KNOB
Online Access:https://bulletin.knob.nl/index.php/knob/article/view/511
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spelling doaj-8c670f7883ea4cfa8df837f7bd4c8c682021-07-15T10:51:04ZengKNOBBulletin KNOB0166-04702589-33432000-08-0112113710.7480/knob.99.2000.4.378468Robert Hooke and Holland: Dutch influence on his architectureAllison Stoesser-JohnstonThis paper describes briefly the development of classicism in England and the Netherlands, the cross-fertilization which took place between the two countries in the 17th century and the introduction of Dutch classicism into England with Hugh May's Eltham Lodge. After considering Robert Hooke's career as a scientist, surveyor and architect and his contacts with the Netherlands, his plan for the City of London, based on Simon Stevin's city plan, and his architecture are discussed, with particular attention to his extensive use of Dutch models taken from designs by Jacob van Campen, Pieter Post, Daniel Stalpaert and Philips Vingboons. The thesis that he only used Dutch designs for detail while his conception is intrinsically French is disputed. His application of Dutch models in facades, plans, ornament and use of orders is analysed and, where appropriate, French and Italian influence recognized. His introduction of a new topos for mental hospitals is also considered. Designs by Hooke discussed under the headings of Institutional Buildings, Town and Country Houses and Churches are the Royal College of Physicians, Bethlehem Hospital, Montagu House, Escot House, and lastly, St. Edmund the King and Martyr. The conclusion reviews which elements he extracted from Dutch architects, how he applied these and combined them in some cases with ideas taken from French models.https://bulletin.knob.nl/index.php/knob/article/view/511
collection DOAJ
language English
format Article
sources DOAJ
author Allison Stoesser-Johnston
spellingShingle Allison Stoesser-Johnston
Robert Hooke and Holland: Dutch influence on his architecture
Bulletin KNOB
author_facet Allison Stoesser-Johnston
author_sort Allison Stoesser-Johnston
title Robert Hooke and Holland: Dutch influence on his architecture
title_short Robert Hooke and Holland: Dutch influence on his architecture
title_full Robert Hooke and Holland: Dutch influence on his architecture
title_fullStr Robert Hooke and Holland: Dutch influence on his architecture
title_full_unstemmed Robert Hooke and Holland: Dutch influence on his architecture
title_sort robert hooke and holland: dutch influence on his architecture
publisher KNOB
series Bulletin KNOB
issn 0166-0470
2589-3343
publishDate 2000-08-01
description This paper describes briefly the development of classicism in England and the Netherlands, the cross-fertilization which took place between the two countries in the 17th century and the introduction of Dutch classicism into England with Hugh May's Eltham Lodge. After considering Robert Hooke's career as a scientist, surveyor and architect and his contacts with the Netherlands, his plan for the City of London, based on Simon Stevin's city plan, and his architecture are discussed, with particular attention to his extensive use of Dutch models taken from designs by Jacob van Campen, Pieter Post, Daniel Stalpaert and Philips Vingboons. The thesis that he only used Dutch designs for detail while his conception is intrinsically French is disputed. His application of Dutch models in facades, plans, ornament and use of orders is analysed and, where appropriate, French and Italian influence recognized. His introduction of a new topos for mental hospitals is also considered. Designs by Hooke discussed under the headings of Institutional Buildings, Town and Country Houses and Churches are the Royal College of Physicians, Bethlehem Hospital, Montagu House, Escot House, and lastly, St. Edmund the King and Martyr. The conclusion reviews which elements he extracted from Dutch architects, how he applied these and combined them in some cases with ideas taken from French models.
url https://bulletin.knob.nl/index.php/knob/article/view/511
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