Culture through comparison: Creating audio-visual listening materials for a CLIL course

Authentic listening has become a part of CLIL materials, but it can be difficult to find listening materials that perfectly match the language level, length requirements, content, and cultural context of a course. The difficulty of finding appropriate materials online, financial limitations posed b...

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Bibliographic Details
Main Author: Iryna Zhyrun
Format: Article
Language:English
Published: Universidad de La Sabana 2016-11-01
Series:Latin American Journal of Content and Language Integrated Learning
Subjects:
Online Access:https://laclil.unisabana.edu.co/index.php/LACLIL/article/view/7091
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spelling doaj-8bb329e04a0c4c6c8ffd39de8ecc2b8d2021-06-11T01:15:55ZengUniversidad de La SabanaLatin American Journal of Content and Language Integrated Learning2011-67212322-97212016-11-019210.5294/7091Culture through comparison: Creating audio-visual listening materials for a CLIL courseIryna Zhyrun0Universidad del Norte Authentic listening has become a part of CLIL materials, but it can be difficult to find listening materials that perfectly match the language level, length requirements, content, and cultural context of a course. The difficulty of finding appropriate materials online, financial limitations posed by copyright fees, and necessity to produce intellectual work led to the idea of designing videos specifically for a university level CLIL course. This article presents a brief overview of current approaches to creating CLIL materials, gives rationale for recording of CLIL audio-visual materials, and discusses their challenges. It provides an example of audio-visual materials design for listening comprehension taking into consideration educational and cultural contexts, course content, and language learning outcomes of the program. In addition, it discusses advantages and limitations of created audio-visual materials by contrasting them with authentic materials of similar type found on YouTube. According to a pilot survey, language used in recorded CLIL videos is easier to understand than the language used in YouTube videos. The content of CLIL videos is more related to students’ life and they experience more positive emotions while watching them. CLIL videos bridge the gap between the concepts studied and a local culture making the learning more meaningful and enjoyable.   doi: 10.5294/laclil.2016.9.2.5 https://laclil.unisabana.edu.co/index.php/LACLIL/article/view/7091CLIL materialscultureforeign languagelisteningvideo recordings
collection DOAJ
language English
format Article
sources DOAJ
author Iryna Zhyrun
spellingShingle Iryna Zhyrun
Culture through comparison: Creating audio-visual listening materials for a CLIL course
Latin American Journal of Content and Language Integrated Learning
CLIL materials
culture
foreign language
listening
video recordings
author_facet Iryna Zhyrun
author_sort Iryna Zhyrun
title Culture through comparison: Creating audio-visual listening materials for a CLIL course
title_short Culture through comparison: Creating audio-visual listening materials for a CLIL course
title_full Culture through comparison: Creating audio-visual listening materials for a CLIL course
title_fullStr Culture through comparison: Creating audio-visual listening materials for a CLIL course
title_full_unstemmed Culture through comparison: Creating audio-visual listening materials for a CLIL course
title_sort culture through comparison: creating audio-visual listening materials for a clil course
publisher Universidad de La Sabana
series Latin American Journal of Content and Language Integrated Learning
issn 2011-6721
2322-9721
publishDate 2016-11-01
description Authentic listening has become a part of CLIL materials, but it can be difficult to find listening materials that perfectly match the language level, length requirements, content, and cultural context of a course. The difficulty of finding appropriate materials online, financial limitations posed by copyright fees, and necessity to produce intellectual work led to the idea of designing videos specifically for a university level CLIL course. This article presents a brief overview of current approaches to creating CLIL materials, gives rationale for recording of CLIL audio-visual materials, and discusses their challenges. It provides an example of audio-visual materials design for listening comprehension taking into consideration educational and cultural contexts, course content, and language learning outcomes of the program. In addition, it discusses advantages and limitations of created audio-visual materials by contrasting them with authentic materials of similar type found on YouTube. According to a pilot survey, language used in recorded CLIL videos is easier to understand than the language used in YouTube videos. The content of CLIL videos is more related to students’ life and they experience more positive emotions while watching them. CLIL videos bridge the gap between the concepts studied and a local culture making the learning more meaningful and enjoyable.   doi: 10.5294/laclil.2016.9.2.5
topic CLIL materials
culture
foreign language
listening
video recordings
url https://laclil.unisabana.edu.co/index.php/LACLIL/article/view/7091
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