Negative Emotion Responses to Heavy-Metal and Hip-Hop Music with Positive Lyrics
This research investigated whether negative emotional responses to heavy-metal and hip-hop music could be stereotypes of the music genres. It was hypothesized that heavy-metal and hip-hop music with positive lyrics would be perceived as expressing more negative (negative valence/high arousal) emotio...
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Online Access: | http://emusicology.org/article/view/6376 |
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doaj-8b786702789742f29bc2cd21081bb1c42020-11-25T01:21:17ZengThe Ohio State University LibrariesEmpirical Musicology Review1559-57492019-11-01141-221510.18061/emr.v14i1-2.63764258Negative Emotion Responses to Heavy-Metal and Hip-Hop Music with Positive LyricsMarco Susino0Emery Schubert1College of Humanities, Arts and Social Sciences, Flinders University; Empirical Musicology Research Laboratory, UNSW SydneyEmpirical Musicology Research Laboratory, UNSW SydneyThis research investigated whether negative emotional responses to heavy-metal and hip-hop music could be stereotypes of the music genres. It was hypothesized that heavy-metal and hip-hop music with positive lyrics would be perceived as expressing more negative (negative valence/high arousal) emotions, compared with pop music excerpts with identical lyrics. Participants listened to either two heavy-metal or two hip-hop test stimuli and two pop control stimuli. They then responded by stating what emotion they perceived that the music expressed. Results indicated that heavy-metal and hip-hop stimuli were perceived as expressing more negative emotions than pop stimuli. Lyrics were recognized above chance in both heavy metal and hip hop, suggesting that the negative emotion bias was not a result of misunderstanding the lyrics. The Stereotype Theory of Emotion in Music (STEM) explains the findings in terms of an emotion filter which is activated to simplify emotion perception processing. The conclusions provide a novel way of understanding the cultural and social contribution of emotion in music.http://emusicology.org/article/view/6376musical emotionsstereotypeemotion perceptionemotion associationlyricsfandomproblem music |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Marco Susino Emery Schubert |
spellingShingle |
Marco Susino Emery Schubert Negative Emotion Responses to Heavy-Metal and Hip-Hop Music with Positive Lyrics Empirical Musicology Review musical emotions stereotype emotion perception emotion association lyrics fandom problem music |
author_facet |
Marco Susino Emery Schubert |
author_sort |
Marco Susino |
title |
Negative Emotion Responses to Heavy-Metal and Hip-Hop Music with Positive Lyrics |
title_short |
Negative Emotion Responses to Heavy-Metal and Hip-Hop Music with Positive Lyrics |
title_full |
Negative Emotion Responses to Heavy-Metal and Hip-Hop Music with Positive Lyrics |
title_fullStr |
Negative Emotion Responses to Heavy-Metal and Hip-Hop Music with Positive Lyrics |
title_full_unstemmed |
Negative Emotion Responses to Heavy-Metal and Hip-Hop Music with Positive Lyrics |
title_sort |
negative emotion responses to heavy-metal and hip-hop music with positive lyrics |
publisher |
The Ohio State University Libraries |
series |
Empirical Musicology Review |
issn |
1559-5749 |
publishDate |
2019-11-01 |
description |
This research investigated whether negative emotional responses to heavy-metal and hip-hop music could be stereotypes of the music genres. It was hypothesized that heavy-metal and hip-hop music with positive lyrics would be perceived as expressing more negative (negative valence/high arousal) emotions, compared with pop music excerpts with identical lyrics. Participants listened to either two heavy-metal or two hip-hop test stimuli and two pop control stimuli. They then responded by stating what emotion they perceived that the music expressed. Results indicated that heavy-metal and hip-hop stimuli were perceived as expressing more negative emotions than pop stimuli. Lyrics were recognized above chance in both heavy metal and hip hop, suggesting that the negative emotion bias was not a result of misunderstanding the lyrics. The Stereotype Theory of Emotion in Music (STEM) explains the findings in terms of an emotion filter which is activated to simplify emotion perception processing. The conclusions provide a novel way of understanding the cultural and social contribution of emotion in music. |
topic |
musical emotions stereotype emotion perception emotion association lyrics fandom problem music |
url |
http://emusicology.org/article/view/6376 |
work_keys_str_mv |
AT marcosusino negativeemotionresponsestoheavymetalandhiphopmusicwithpositivelyrics AT emeryschubert negativeemotionresponsestoheavymetalandhiphopmusicwithpositivelyrics |
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