Negative Emotion Responses to Heavy-Metal and Hip-Hop Music with Positive Lyrics

This research investigated whether negative emotional responses to heavy-metal and hip-hop music could be stereotypes of the music genres. It was hypothesized that heavy-metal and hip-hop music with positive lyrics would be perceived as expressing more negative (negative valence/high arousal) emotio...

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Bibliographic Details
Main Authors: Marco Susino, Emery Schubert
Format: Article
Language:English
Published: The Ohio State University Libraries 2019-11-01
Series:Empirical Musicology Review
Subjects:
Online Access:http://emusicology.org/article/view/6376
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spelling doaj-8b786702789742f29bc2cd21081bb1c42020-11-25T01:21:17ZengThe Ohio State University LibrariesEmpirical Musicology Review1559-57492019-11-01141-221510.18061/emr.v14i1-2.63764258Negative Emotion Responses to Heavy-Metal and Hip-Hop Music with Positive LyricsMarco Susino0Emery Schubert1College of Humanities, Arts and Social Sciences, Flinders University; Empirical Musicology Research Laboratory, UNSW SydneyEmpirical Musicology Research Laboratory, UNSW SydneyThis research investigated whether negative emotional responses to heavy-metal and hip-hop music could be stereotypes of the music genres. It was hypothesized that heavy-metal and hip-hop music with positive lyrics would be perceived as expressing more negative (negative valence/high arousal) emotions, compared with pop music excerpts with identical lyrics. Participants listened to either two heavy-metal or two hip-hop test stimuli and two pop control stimuli. They then responded by stating what emotion they perceived that the music expressed. Results indicated that heavy-metal and hip-hop stimuli were perceived as expressing more negative emotions than pop stimuli. Lyrics were recognized above chance in both heavy metal and hip hop, suggesting that the negative emotion bias was not a result of misunderstanding the lyrics. The Stereotype Theory of Emotion in Music (STEM) explains the findings in terms of an emotion filter which is activated to simplify emotion perception processing. The conclusions provide a novel way of understanding the cultural and social contribution of emotion in music.http://emusicology.org/article/view/6376musical emotionsstereotypeemotion perceptionemotion associationlyricsfandomproblem music
collection DOAJ
language English
format Article
sources DOAJ
author Marco Susino
Emery Schubert
spellingShingle Marco Susino
Emery Schubert
Negative Emotion Responses to Heavy-Metal and Hip-Hop Music with Positive Lyrics
Empirical Musicology Review
musical emotions
stereotype
emotion perception
emotion association
lyrics
fandom
problem music
author_facet Marco Susino
Emery Schubert
author_sort Marco Susino
title Negative Emotion Responses to Heavy-Metal and Hip-Hop Music with Positive Lyrics
title_short Negative Emotion Responses to Heavy-Metal and Hip-Hop Music with Positive Lyrics
title_full Negative Emotion Responses to Heavy-Metal and Hip-Hop Music with Positive Lyrics
title_fullStr Negative Emotion Responses to Heavy-Metal and Hip-Hop Music with Positive Lyrics
title_full_unstemmed Negative Emotion Responses to Heavy-Metal and Hip-Hop Music with Positive Lyrics
title_sort negative emotion responses to heavy-metal and hip-hop music with positive lyrics
publisher The Ohio State University Libraries
series Empirical Musicology Review
issn 1559-5749
publishDate 2019-11-01
description This research investigated whether negative emotional responses to heavy-metal and hip-hop music could be stereotypes of the music genres. It was hypothesized that heavy-metal and hip-hop music with positive lyrics would be perceived as expressing more negative (negative valence/high arousal) emotions, compared with pop music excerpts with identical lyrics. Participants listened to either two heavy-metal or two hip-hop test stimuli and two pop control stimuli. They then responded by stating what emotion they perceived that the music expressed. Results indicated that heavy-metal and hip-hop stimuli were perceived as expressing more negative emotions than pop stimuli. Lyrics were recognized above chance in both heavy metal and hip hop, suggesting that the negative emotion bias was not a result of misunderstanding the lyrics. The Stereotype Theory of Emotion in Music (STEM) explains the findings in terms of an emotion filter which is activated to simplify emotion perception processing. The conclusions provide a novel way of understanding the cultural and social contribution of emotion in music.
topic musical emotions
stereotype
emotion perception
emotion association
lyrics
fandom
problem music
url http://emusicology.org/article/view/6376
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