Componential Analysis as a Fundamental Senses Microsystem in W.S. Maugham’s ‘THEATRE’

Identification of fundamental senses in the work “Theatre” by the outstanding British writer and playwright W.S. Maugham was an objective of this research. In the given work both the conceptual analysis and the componential analysis of the main character Julia Lambert`s sphere of concepts was used....

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Bibliographic Details
Main Author: Larissa Ya Kozlova
Format: Article
Language:English
Published: Peoples’ Friendship University of Russia (RUDN University) 2019-12-01
Series:RUDN Journal of Language Studies, Semiotics and Semantics
Subjects:
Online Access:http://journals.rudn.ru/semiotics-semantics/article/viewFile/22126/17367
Description
Summary:Identification of fundamental senses in the work “Theatre” by the outstanding British writer and playwright W.S. Maugham was an objective of this research. In the given work both the conceptual analysis and the componential analysis of the main character Julia Lambert`s sphere of concepts was used. The componential analysis of the revealed lexico-semantic group of the words representing a concept “theater” showed a microsystem of the meanings having two main ones at its core: LIE, belonging to the concept sphere of theater - TRUTH, concerning the concept sphere of reality.
ISSN:2313-2299
2411-1236