The Dark Knight’s Dystopian Vision: Batman, Risk, and American National Identity

This essay argues that Frank Miller’s Batman: The Dark Knight Returns (1986) and Batman: The Dark Knight Strikes Again (2001-02) are grounded in a specific type of anticipatory consciousness that we read as risk consciousness. With their sustained and systematic confrontation of risk discourses, the...

Full description

Bibliographic Details
Main Authors: Jeanne Cortiel, Laura Oehme
Format: Article
Language:English
Published: European Association for American Studies 2015-08-01
Series:European Journal of American Studies
Subjects:
Online Access:http://journals.openedition.org/ejas/10916

Similar Items