John Clare and Poetic ‘Genius’

The first half of this essay is an analysis of John Taylor’s Introduction to John Clare’s Poems Descriptive of Rural Life and Scenery. It argues that Taylor—Clare’s editor and publisher—made claims for Clare’s special poetic ‘genius’ by combining an emphasis on his unpropitious personal and social c...

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Main Author: Adam White
Format: Article
Language:English
Published: Ghent University 2014-11-01
Series:Authorship
Subjects:
Online Access:https://www.authorship.ugent.be/article/view/1085
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spelling doaj-8acf002361a4408095671b796d3cf01c2020-11-24T21:14:19ZengGhent UniversityAuthorship2034-46432014-11-013210.21825/aj.v3i2.1085John Clare and Poetic ‘Genius’Adam White0The Open UniversityThe first half of this essay is an analysis of John Taylor’s Introduction to John Clare’s Poems Descriptive of Rural Life and Scenery. It argues that Taylor—Clare’s editor and publisher—made claims for Clare’s special poetic ‘genius’ by combining an emphasis on his unpropitious personal and social circumstances with a thus far under-scrutinised presentation of the Romantic aspects of his poetic practice and verse. The second half of the essay connects Taylor’s Introduction to Clare’s own writing on ‘genius’. Clare wrote a number of poems to, or about, his Romantic contemporaries. In the particular cases in question here, Clare treats the ‘genius’ of Lord Byron’s ‘sublime’ work and poetic status and the ‘genius’ of William Wordsworth’s attention to the beauties of nature and ‘human kind’. A defining quality of Romantic genius, then, is imagined by Clare in aesthetic terms. Taylor constructed a very influential idea of Clare’s genius, but the poet also shows himself to participate in significant ways in a contemporary debate on the nature of poetic genius.https://www.authorship.ugent.be/article/view/1085John ClareRomantic authorshippoetrygeniusreception
collection DOAJ
language English
format Article
sources DOAJ
author Adam White
spellingShingle Adam White
John Clare and Poetic ‘Genius’
Authorship
John Clare
Romantic authorship
poetry
genius
reception
author_facet Adam White
author_sort Adam White
title John Clare and Poetic ‘Genius’
title_short John Clare and Poetic ‘Genius’
title_full John Clare and Poetic ‘Genius’
title_fullStr John Clare and Poetic ‘Genius’
title_full_unstemmed John Clare and Poetic ‘Genius’
title_sort john clare and poetic ‘genius’
publisher Ghent University
series Authorship
issn 2034-4643
publishDate 2014-11-01
description The first half of this essay is an analysis of John Taylor’s Introduction to John Clare’s Poems Descriptive of Rural Life and Scenery. It argues that Taylor—Clare’s editor and publisher—made claims for Clare’s special poetic ‘genius’ by combining an emphasis on his unpropitious personal and social circumstances with a thus far under-scrutinised presentation of the Romantic aspects of his poetic practice and verse. The second half of the essay connects Taylor’s Introduction to Clare’s own writing on ‘genius’. Clare wrote a number of poems to, or about, his Romantic contemporaries. In the particular cases in question here, Clare treats the ‘genius’ of Lord Byron’s ‘sublime’ work and poetic status and the ‘genius’ of William Wordsworth’s attention to the beauties of nature and ‘human kind’. A defining quality of Romantic genius, then, is imagined by Clare in aesthetic terms. Taylor constructed a very influential idea of Clare’s genius, but the poet also shows himself to participate in significant ways in a contemporary debate on the nature of poetic genius.
topic John Clare
Romantic authorship
poetry
genius
reception
url https://www.authorship.ugent.be/article/view/1085
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